music for marimba and orchestra | two marimbas | two marimbas and orchesra | concerti for two marimbas

...OF WEAVING THE SHADOWED WAVES
for two marimbas and chamber orchestra

DUTATION: 7:30 minutes

YEAR COMPOSED: 2003
INSTRUMENTATION: 2 marimbas (soli), 2 oboes,2 horns, strings (6,5,4,3,1)

Discover the enthralling soundscape of ...OF WEAVING THE SHADOWED WAVES, composed by Lior Navok for two marimbas and chamber orchestra. This captivating 7:30-minute concerto, created in 2003, masterfully intertwines the percussive brilliance of two marimbas with the rich textures of 2 oboes, 2 horns, and strings (6,5,4,3,1). Ideal for contemporary music enthusiasts and performers, this score highlights the exceptional synergy between marimbas and orchestra. Secure your hard copy today to explore and perform this remarkable piece, perfect for enriching any concert program with innovative audiophonic brilliance.

...OF WEAVING THE SHADOWED WAVES marimba and orchestra (score) [Hard Copy]

$35.00

Quantity

Item:	Full Score
Format:	Hard Copy
Edition:	2nd Edition
Copyright:	Lior Navok
Publisher:	Lior Navok Music
Pages:	53
Binding:	Plastic Spiral
Ink:	Black & White
Paper Size:	DIN A4 / Letter

Program Notes:

While composing ...of weaving the shadowed waves, I was fascinated by imaginary visual images of underwater waves interwoven with each other, thus creating ever-changing contours and curves. Simultaneously, the surroundings themselves—the water—were mostly peaceful in nature, dark-blue, mysterious, full of shadows, and reflections from above the surface. The two marimbas, with their mysterious, haunting yet dry tones, create these alternating waves—changing their intensity, direction, and their relation to the surrounding water. These waves often emerge from the depths and continue their movement above the surface. In turn, the surrounding water, or musically speaking, the orchestra, responds to the play of the waves—moving along with them, sometimes losing and gaining tranquility.

...of weaving the shadowed waves was commissioned in memory of Adele and John Gray for the America-Israel Cultural Foundation Gala concert on November 9, 2003, at Carnegie Hall. It was written for PercaDu—Adi Morag and Tomer Yariv, percussionists—and The Tel-Aviv Soloists Ensemble conducted by Barak Tal. With many thanks to Gideon Paz, who initiated the creation of this composition.