QUARTET FOR FLUTE, CLARINET, BASSOON AND HARP

DUTATION: 27 minutes

INSTRUMENTATION: flute / piccolo, clarinet,bassoon and harp

YEAR COMPOSED: 1994
SCORE AVAILABILITY: available

Please note: This is a digital scan of the original handwritten manuscript. Therefore, it is offered at a significantly reduced price.

QUARTET FOR FLUTE, CLARINET, BASSOON AND HARP (1994) by Lior Navok is a 27-minute chamber work influenced by impressionistic French music and jazz. Across four movements, the piece explores pastoral lyricism, pentatonic lightness, a lamenting Passacaglia, and a final movement featuring piccolo, fugue writing, lyrical themes, and a harp solo leading to a grand finale. Presented as a digital scan of the original handwritten manuscript, this quartet offers a refined and expressive addition to contemporary chamber music with harp.

CHAMBER MUSIC WITH HARP | HARP CHAMBER MUSIC | WINDS AND HARP | HARP AND WINDS | QUARTET FOR FLUTE CLARINET BASSOON AND HARP music

Availability: Instant PDF Download: Always in stock. Returns: Return Policy: Digital downloads are not eligible for returns. Condition: Condition: New 1st Edition digital score.

QUARTET FOR FLUTE CLARINET BASSOON AND HARP music (score) [PDF download]

Name: QUARTET FOR FLUTE CLARINET BASSOON AND HARP music (score) [PDF download]
Brand: Lior Navok Music
SKU: LN024

SKU: LN024

$6.00

$5.10

Item:	Score, handwritten manuscript
Format:	PDF Download
Edition:	1st Edition
Copyright:	Lior Navok
Publisher:	Lior Navok Music
Pages:	Parts: 62
Paper Size:	DIN A4 / Letter
File Serial Number:
Condition:	Handwritten score, therefore offered in reduced price. Its sole purpuse is to assist during rehearsals.

The Quartet for Flute, Clarinet, Bassoon, and Harp is influenced by impressionistic French music and jazz, which was my main influence at the time. The first movement begins with a pastoral character, somewhat naive, but soon introduces more contemplative themes, ultimately concluding on a darker note. The second movement is a light, flowing piece built around a pentatonic scale theme. A bassoon cadenza serves as a bridge between the second and third movements, the latter being a long Passacaglia with a lamenting character. In the final movement, the piccolo replaces the flute. This movement opens with a fugue involving all four instruments, leading into a lyrical second theme followed by a harp solo, and concludes with a grand finale.