MUSIC FOR FLUTE, OBOE, AND PIANO
Contemporary Music for Flute, Oboe, and Piano
The trio of flute, oboe, and piano is a rare and distinctive chamber‑music ensemble, offering a bright, transparent sound world with rich expressive potential. While the classical repertoire for this formation is limited, contemporary contributions bring new colors, textures, and dramatic possibilities. This page presents Lior Navok’s trio for flute, oboe, and piano alongside a curated selection of modern repertoire, providing performers with a resource for exploring new works for this unique ensemble.
MYSTERIOUS POND
Duration:
10 minutes
Instrumentation:
flute, oboe, piano
Year Composed:
2004
Written For:
Carmel Trio
Commissioned by:
Sons et Couleurs au Musée – Er’ella Talmi, director; with funds from the Canada-Israel Cultural Foundation.
Premiere Performance:
21 November, 2004
Quebec-City; Canada
Eyal Ein-Habar, flute
Dudu Carmel, oboe
Akiko Tominaga, piano
THEMES:
Mysterious Pond was composed during my artist residency at the MacDowell Colony in New Hampshire, USA.
From my studio, nestled amidst the forest, I could hear distant sounds emanating from the nearby pond: Frog peepers created a haunting sound texture, accompanied by the calls of nocturnal birds and distant howls. My mind started to imagine the pond and its mysterious atmosphere at different times of the day, especially from dusk to sunrise. I envisioned small episodes involving the water creatures, their sounds, the play of light, the rustle of the leaves, and the whisper of the water. All of these elements created a continuum of musical scenes, woven one into the other.
Mysterious Pond was written for flutist Eyal Ein Habar and oboist Dudu Carmel. It was commissioned by the “Sons et Couleurs au Musée” concert series (Er’ella Talmi, Director) with funds from the Canada-Israel Cultural Foundation.
Program Notes:
Audio
Score Sample
Score of Mysterious Pond for flute, oboe and piano
About Music for Flute, Oboe, and Piano
The trio of flute, oboe, and piano offers a uniquely transparent and colorful sound palette. The pairing of two contrasting woodwinds with the piano allows for intricate counterpoint, expressive lyricism, and a wide range of timbral combinations. Contemporary works for this ensemble often explore extended techniques, rhythmic interplay, and atmospheric textures, while still embracing the ensemble’s natural clarity and brightness. These compositions contribute to the growing repertoire for flute, oboe, and piano, offering performers engaging and artistically rewarding music for both recital and professional performance settings.
Contemporary Repertoire for Flute, Oboe, and Piano
Madeleine Dring — Trio for Flute, Oboe, and Piano (1968)
A beloved staple of the woodwind trio repertoire. This neoclassical work is celebrated for its wit, rhythmic charm, and lyrical "Andante semplice" movement, often considered a "crowd pleaser" for its melodic accessibility.
Lior Navok — Mysterious Pond (2004)
A 10-minute contemporary trio commissioned for the “Sons et Couleurs au Musée” series. It serves as a continuous musical landscape inspired by nocturnal nature sounds, specifically exploring the shifting light and atmosphere of a forest pond.
Jean-Michel Damase — Trio for Flute, Oboe, and Piano (1961)
While often associated with later publication dates, this work was composed in 1961. It is a hallmark of the French "wind" style, defined by elegance, sophisticated harmonic language, and technical brilliance across four movements.
Malcolm Arnold — Trio for Flute, Oboe, and Piano, Op. 54 (1956)
A quintessential mid-century British work. It provides an energetic and often humorous contribution to the ensemble, showcasing Arnold’s signature rhythmic drive and idiomatic writing for wind instruments.
Gordon Jacob — Trio for Flute, Oboe, and Piano (1956)
Composed in the same year as Arnold's trio, this piece is a classic of the genre. It is highly regarded for its expert craftsmanship and solid structural foundation, making it a frequent choice for professional and academic chamber recitals.