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CELLO AND PIANO MUSIC

Contemporary Cello and Piano Music & Repertoire

This collection of contemporary cello and piano music presents works written for performers seeking expressive, modern repertoire for concerts, competitions, and advanced study. These compositions explore the full range of the cello–piano duo, from lyrical writing and intimate dialogue to dynamic interplay and textural contrast. This page provides an overview of available works, including instrumentation details, program notes, and score information.

FLUCTUATIONS

for cello and piano 

Duration:

10 minutes
 

Instrumentation:   

cello and piano

Year Composed:  

2017
 

Written For:            
Noémi Boutin and Marie Vermeulin

Commissioned By:

Festival de Chaillol
Michaël Dian, artistic director

Premiere Performance:

7 August 2017
Gap, France
Noémi Boutin, cello
Marie Vermeulin, piano

MUSIC FOR CELLO AND PIANO

Program Notes:

I composed "Fluctuations" for cello and piano in response to an invitation from Michaël Dian, the artistic director of the Festival de Chaillol. The piece was specifically crafted for the exceptional cellist Noémi Boutin, who had previously performed my composition "Fantasy" for solo cello, and the nuanced pianist Marie Vermeulin.

LISTEN

Fluctuations - for cello and piano
performed by Noémi Boutin, cello and Marie Vermeulin, piano
 

VIDEO

Fluctuations
for cello and piano
VIDEO

Fluctuations - for cello and piano
performed by Ella Toovy, cello and Michal Tal, piano 

​Score of Fluctuations for cello and piano

"fluctuations" for cello and piano

Explore additional repertoire for cello:

About Cello and Piano Music

The cello and piano duo offers a rich and versatile sound world, combining the cello’s expressive depth with the piano’s harmonic and coloristic range. Writing for this ensemble allows for intimate dialogue, dramatic contrast, and a wide spectrum of textures. These works contribute to the expanding contemporary repertoire for cello and piano, providing performers with technically engaging and artistically rewarding pieces suitable for both recital and professional performance settings.

Cello and Piano Repertoire List

Claude Debussy – Cello Sonata in D minor (1915)

A brief, intense masterpiece blending French Baroque structure with impressionistic colors. It features innovative techniques like "Pierrot-like" serenades and guitar-style strumming.

Sergei Prokofiev – Sonata for Cello and Piano

Written for Mstislav Rostropovich, this sonata balances lyrical warmth with grand, folk-inspired themes, reflecting a accessible "Russian" voice despite Soviet censorship.
 

Dmitri Shostakovich – Cello Sonata in D minor, Op. 40 (1934)

Francis Poulenc – Cello Sonata (1948)

A dramatic early work full of sharp contrasts. It shifts from deeply mournful passages to the biting, satirical energy typical of Shostakovich’s mature style.
 

An elegant, witty piece that captures Poulenc’s duality. It alternates between soulful, nostalgic melodies and vibrant, lighthearted bursts of energy.
 

Benjamin Britten – Sonata for Cello and Piano, Op. 65 (1961)

A five-movement masterclass in varied expression. It utilizes the cello’s full range, moving from brittle, percussive sounds to soaring, powerful lyricism.
 

Elliott Carter – Cello Sonata (1948)

A landmark of rhythmic complexity. It introduces "metric modulation," treating the cello and piano as independent, often conflicting personalities.

Samuel Barber – Cello Sonata, Op. 6 (1932)

A lush, Romantic early work. It blends traditional European forms with a distinct American lyricism and passionate, expressive melodies.
 

Paul Hindemith – Cello Sonata, Op. 11 No. 3 (1919)

An early modernist staple combining structural clarity with harmonic innovation, signaling Hindemith’s departure from 19th-century Romanticism.
 

Arthur Honegger – Sonata for Cello and Piano (1920)

A concise work featuring clear classical forms and modern color. It is notable for its rhythmic drive and intricate polyphonic textures.
 

György Ligeti – Sonata for Solo Cello (1948–53)

A seminal solo work. Its two movements—a romantic dialogue and a virtuosic capriccio—foreshadow Ligeti’s later evolution into complex, modern textures.
 

George Crumb – Sonata for Solo Cello (1955)

A highly expressive three-movement solo piece. It hints at Crumb’s future interest in evocative sonorities and has become a standard recital staple.
 

John Corigliano – Sonata for Cello and Piano (1992)

A powerful contemporary work blending traditional lyricism with aggressive harmonic clusters, reflecting Corigliano's deeply emotional and energetic style.

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