THE ADVENTURES OF PINOCCHIO — MUSICAL TALE FOR NARRATOR AND ENSEMBLE
Contemporary Family Concert Music
The Adventures of Pinocchio is a contemporary opera for family audiences, composed by Lior Navok. Designed for narrator and ensemble, the work brings Carlo Collodi’s classic story to life through vivid orchestration, humor, and theatrical storytelling. This piece is part of a larger series of family‑concert works by the composer, created to introduce young listeners to the world of classical music through narrative, character, and imagination.
THE ADVENTURES OF PINOCCHIO
a musical tale

Duration:
61 minutes in two acts
Instrumentation:
version I: woodwind quintet and piano
3 actors (F,M,M), flute/piccolo, oboe / English- horn, clarinet, horn, bassoon and piano
version II: chamber orchestra
3 actors (F,M,M), flute/piccolo, oboe / English- horn, clarinet, bassoon, horn, trumpet, trombone, percussion (1), harp, piano, strings
Year Composed:
2009
Story By:
Carlo Collodi
Libretto By:
Lior Navok
Language:
English: translation by Evan Fallenberg
German: translation by Julia Freienberg
French: translation by Stéphane Mooser
Hebrew: by Lior Navok
Written For:
The Hindemith Quintet
Supported in Part By:
The Eric and Edith Siday Charitable Foundation
Premiere Performance:
19 September 2010
Oper Frankfurt
Frankfurt am Main, Germany
Michaela Ehinger, Marian Funk and Michael Kamp, actors
The Hindemith Woodwind Quintet
Dejan Gavric, flute
Nick Deutsch, oboe
Johannes Gmeinder, clarinet
Sibylle Mahni Haas, horn
Richard Morschel, bassoon
Roglit Ishai, piano
Yuval Zorn, conductor
Gil Alkabetz, Illustrations
For information regarding study scores and rental materials,
please click HERE
Related Music:

The Adventures of Pinocchio
Full Audio Recording (German Version)
About The Adventures of Pinocchio
The Adventures of Pinocchio is a 61‑minute, two‑act musical tale that brings Carlo Collodi’s classic story to life for family audiences. At its heart, the work follows Pinocchio’s journey from a mischievous wooden puppet to a real boy — a path shaped by curiosity, mistakes, moral choices, and the gradual discovery of empathy and responsibility.
The tale’s enduring educational power lies in its gentle but honest portrayal of learning through experience: the consequences of lying, the value of kindness, the importance of listening, and the courage required to grow. Through humor, vivid characters, and moments of genuine emotion, the piece invites children to reflect on their own choices while enjoying a lively theatrical adventure.
Musically, the work blends narration, character acting, and colorful orchestration to create an accessible introduction to opera and symphonic storytelling. Written for the Hindemith Quintet and supported by the Eric and Edith Siday Charitable Foundation, it is available in two versions — for woodwind quintet and piano, or for chamber orchestra — and in multiple languages, making it adaptable for a wide range of family‑concert settings.
For the Performers
Level: Ideal for professional chamber ensembles, opera‑for‑children companies, and advanced conservatory groups experienced in theatrical timing and multi‑actor narration.
Programming: Designed for family concerts, children’s opera series, narrated symphonic events, and educational outreach programs introducing young listeners to classical music through story and character.
Style: A theatrical musical tale blending spoken narration, character acting, and colorful instrumental writing; suitable for concert, semi‑staged, or fully staged productions, with optional visual enhancements such as projections or illustrations.
Venue Fit: Effective in concert halls, theaters, schools, and festival settings where narration, acting, and instrumental color can be clearly appreciated.
Performance Notes: Requires close coordination between conductor, actors, and ensemble; can be staged alongside 360 illustrations for a quasi‑cinematic experience.
Program Notes
We all smile when we hear the name Pinocchio: the wooden puppet with its growing nose, its creator Geppetto, the talking cricket, the cat and fox, and of course, the Blue Fairy… We usually perceive Pinocchio as light-hearted and carefree, but beneath this vivid and colorful story lies something sophisticated and deeply touching. This is the story of a puppet that learns the hard way how to find its identity and forge its own path in society, how to learn from tough lessons, how to care for others, and how to take responsibility. Pinocchio grapples with moral dilemmas of good versus bad, unfolding one after another in a seemingly simple yet amusing manner. Among other children's stories, Carlo Collodi's The Adventures of Pinocchio presents a model of storytelling as education.
About Music for Young Audiences
Lior Navok’s family‑concert works are designed to introduce young audiences to classical music through narrative, character, and orchestral color. These pieces are frequently performed by orchestras, festivals, and educational programs seeking engaging repertoire for children and families.
Notable Pinocchio Adaptations
This list features notable musical adaptations of Carlo Collodi's classic tale, showcasing a range of styles from grand opera to narrative chamber music and large-scale stage musicals. These works illustrate the enduring appeal of the story across different theatrical and musical formats.
Jonathan Dove: The Adventures of Pinocchio, 2007
This is a full-length, two-act grand opera with a symphonic score, large cast, and chorus. Commissioned by Opera North, it is known for being remarkably faithful to the original, often darker, picaresque novel and uses ingenious technical stage effects.
Lior Navok: The Adventures of Pinocchio, 2009
A 61-minute musical tale in two acts for three narrators, woodwind quintet, and piano, or orchestra. It is designed for family concerts, exploring themes of identity and moral growth through vivid chamber music.
Pierangelo Valtinoni: Pinocchio, 2006
An opera in two acts (originally premiered in 2001, the two-act version is from 2006), highly successful in European theaters. Valtinoni's score blends various styles, drawing inspiration from Puccini, Ravel, and Bernstein, and is designed to be performed by children's choirs and soloists.
Disney adaptation team (Dennis Kelly, Martin Lowe, et al.) Pinocchio, 2017
A stage play presented by the Royal National Theatre, London, that uses the classic songs and score from the 1940 Walt Disney animated film (originally by Leigh Harline, Ned Washington, and Paul J. Smith), newly adapted and orchestrated by Martin Lowe for the stage with a full orchestra.
