BAGATELLES FOR PIANO
Contemporary Bagatelles and Modern Piano Character Pieces
Bagatelles for piano have long served as a space for composers to explore concise ideas, vivid gestures, and sharply defined characters.
This page features Lior Navok’s Bagatelles for Piano, a collection of short contemporary pieces for solo piano, alongside a curated selection of modern repertoire written in the bagatelle or character‑piece tradition. These compact works are ideal for recitals, competitions, teaching programs, and pianists seeking expressive, contemporary piano music in miniature form.
Audio
Program Notes
The Ten Bagatelles for piano represent my first compositions ever for solo piano. For a long time, I felt that writing music which I could immediately improvise was artificial and useless. Therefore, when I finally decided to compose short pieces for the piano, I had one main guiding principle: to create music in the manner of a fast sketch, akin to a Japanese painting executed in a single brushstroke. The goal was to capture in conventional music notation what might be improvised on the piano. Each of these short pieces, varying in character and mood, was written in a single composing session to preserve the essence of a quick sketch.
Movements
-
Appassionato
-
Drammatico
-
Misterioso - Scherzando
-
Humoresque
-
Sognando, Rubato
-
Allegretto
-
Energico Furioso
-
Vivace
-
Largamente, Maestoso
-
Largo Sostenuto
Note: It is possible to play selections from the cycle, provided that No. 9 and No. 10 are played consecutively.
Abstract
The Ten Bagatelles for Piano form a collection of contemporary piano bagatelles written as fast, spontaneous sketches—each one composed in a single session to preserve the immediacy of improvisation. Inspired by the idea of a Japanese brushstroke painting, the pieces aim to capture musical gestures that might otherwise arise only at the keyboard in the moment. Varying widely in mood and character, the set reflects the essence of modern piano miniatures: concise, expressive, and focused on a single idea or atmosphere. Together, these bagatelles offer a vivid addition to the contemporary solo‑piano repertoire, ideal for performers exploring short, character‑driven modern piano pieces.
Score Sample
Score of Ten Bagatelles for solo piano
About Modern Piano Bagatelles
Bagatelles occupy a unique place in piano literature: brief, concentrated pieces that capture a single idea or character with immediacy. In contemporary music, the bagatelle has evolved into a flexible form—sometimes humorous, sometimes introspective, sometimes experimental—allowing composers to explore color, rhythm, and gesture without the constraints of larger structures.
For pianists, modern bagatelles offer expressive variety and interpretive freedom within compact, recital‑friendly formats.
Modern Piano Pieces and Contemporary Character Cycles
Béla Bartók: 14 Bagatelles, Op. 6 (1908)
A landmark of early modernism that experimented with bitonality and folk elements.
Carl Vine: Five Bagatelles (1994)
Highly popular in contemporary competitions, these pieces are known for their virtuosic and driving rhythms.
György Ligeti: Musica Ricercata (1951–1953)
While not originally titled bagatelles, Ligeti later arranged six of these piano movements into his famous Six Bagatelles.
George Rochberg: 12 Bagatelles (1952)
Charles Wuorinen: Bagatelle (1987)
A complex solo work later orchestrated by the composer.
Peter Lieberson: Bagatelles (1985)
Typically performed as a complete set, these pieces are known for their sophisticated modernist language.
John Zorn: 300 Bagatelles (2015)
A massive collection for open instrumentation, including solo piano, characterized by rapid stylistic shifts.
William Bolcom: 12 New Etudes Bagatelles
These works blend the technical focus of an etude with the whimsical nature of a bagatelle.
Significant for their early application of serialism in a short form.