top of page

AURORA BOREALIS ORCHESTRAL MUSIC

This page explores orchestral music inspired by the Northern lights. The collection features symphonic tributes to the Aurora Borealis, showcasing orchestral compositions that create an ethereal and atmospheric soundscape.

AURORA BOREALIS

for chamber orchestra

AURORA BOREALIS ORCHESTRAL MUSIC

Duration:
12 minutes
 
Instrumentation:   
Harp, accordion, percussion and strings

Year Composed:
2008
 
Written For:
Das Georgische Kammerorchester
Ariel Zuckermann, conductor


Commissioned By:
Das Georgische Kammerorchester


Premiere Performance:
16 October 2008, 
Ingolstadt, Germany
Das Georgische Kammerorchester
Ariel Zuckermann, conductor

"Aurora Borealis" - for chamber orchestra

About Aurora Borealis

Aurora Borealis is a 12‑minute chamber‑orchestra work inspired by the shifting colors, silent intensity, and mystical presence of the Northern Lights. The piece captures the paradox of the aurora: a seemingly still, floating glow that is in fact driven by immense unseen forces. Harp, accordion, percussion, and strings create a luminous, ever‑changing soundscape — at times shimmering, at times shadowed — echoing the quiet drama of light forms that appear, dissolve, and transform across the polar sky.

For the Performers

Level: For professional chamber orchestras; also suitable for advanced conservatory ensembles with strong coloristic sensitivity.
 

Programming: Ideal for nature‑themed concerts, atmospheric contemporary programs, or works exploring light, color, and texture.
 

Style: Ethereal, color‑driven writing; slow transformations; delicate interplay between harp, accordion, percussion, and strings.

Program Notes

The theme of light—its radiance, frequency, variety in colors, and intensity—has occupied my mind for quite some time. In previous compositions such as the Nocturne and Gleams from the Bosom of Darkness, I have endeavored to portray this visual image of light intensities in musical sounds. Therefore, when Maestro Ariel Zuckermann approached me to write a new work for the Georgian Chamber Orchestra with the theme of the Aurora Borealis in mind, I became immediately enthusiastic.

Aurora Borealis, also known as the Northern Lights, is an astronomical phenomenon in which light displays in the sky in various colors, usually observed in darkness at polar zones.

Technically speaking, auroras occur when charged particles from Earth’s magnetosphere collide with atoms and molecules in Earth’s upper atmosphere. These collisions electronically excite atoms and molecules in the upper atmosphere, creating gas-light emissions. Depending on the type of gas emission, green, red, blue, or violet colors appear. Therefore, although the viewer may perceive a static visual effect in the sky, there is much activity and intensity behind the scenes. This static activity, along with the ever-changing forms, light hues, and shades, is what I intended to portray musically in this piece, adding to it the mystic aura of this incredible phenomenon, which has rightfully found its way into many mythologies.

Aurora Borealis was written for the Georgian Chamber Orchestra, with Ariel Zuckermann as music director, and is dedicated to them.

bottom of page