SYMPHONIC MUSIC, SYMPHONIC PRELUDE FIRST-FRUITS - A SYMPHONIC PRELUDE for symphony orchestra Duration: 12 minutes Instrumentation: 3 flutes (3rd doubles piccolo); 3 oboes (3rd doubles English horn); 3 clarinets (3rd doubles bass clarinet); 3 bassoons (3rd doubles contrabassoon); 4 horns; 3 trumpets, 3 trombones; tuba; harp; piano / celeste; timpani; percussion (3) and strings ​ Year Composed: 1997 ​ Premiere Performance: 8 December 1999 Boston, MA, USA New England Conservatory Symphony Orchestra Richard Hoenich, conductor VIEW SCORE LISTEN SHOP / HIRE MUSIC Quick View First-Fruits [Hard Copy] Price $42.00 Add to Cart Quick View First-Fruits [PDF download] Price $19.50 Add to Cart Program Notes: First-Fruits is my first composition for full orchestra, hence its name.The work focuses on the frequent transformation of orchestral textures as well as on constant alteration of colors. VIEW SCORE LISTEN symphonic prelude | symphonic music | orchestral music

SOPRANO, BASSOON AND CHAMBER ORCHESTRA. TEXT IN SPANISH BY ANTONIO MACHADO THE SPANISH SONGS for soprano, bassoon and chamber orchestra Duration: 11 minutes Instrumentation: soprano solo, bassoon solo, 2 clarinets, percussion (1) harp, celesta and strings ​ Year Composed: 1998 Poems By: Antonio Machado ​ Poems Included: 1. Yo voy soñando caminos 2. ¿Mi corazón se ha dormido? Language: Spanish​​ ​ Written For: Monica Garcia ​ Premiere Performance: 1998 Boston, USA Monica Garcia, soprano Minako Taguchi, bassoon students from the New England Conservatory Lior Navok, conductor VIEW SCORE LISTEN VIEW TEXT HIRE MUSIC Quick View The Spanish Songs (full score) [PDF download] Price $16.50 Add to Cart Quick View The Spanish Songs [Hard Copy] Price $32.00 Add to Cart Quick View Meditations Over Shore [CD] Price $15.00 Add to Cart Program Notes: When I first heard soprano Monica Garcia’s singing, I was determined to compose a new work for her. Simultaneously, I was bothered by the decrease of music written for the Bassoon during the 20th century and it was important for me to make my small contribution by writing a Bassoon Concerto. Somehow, these two intentions met together in “The Spanish Songs.” While looking for poems, I had in mind few criterion such as specific subject, mood, and length. It was also important that one of the poems will start as a question. After eight months of searching, I found Antonio Machado’s poems. The score calls for soprano and bassoon, two clarinets, harp, celesta, percussion and strings. Poems and specific performers help the composer decide on that musical direction or another. Here, I decided to take a more traditional path, adding my view of Spanish music. VIEW SCORE LISTEN Soprano and Orchestra | Soprano and chamber orchestra | Spanish poems

TRIO FOR CLARINET, CELLO AND PIANO | CONTEMPORARY MUSIC FOR CLARINET, CELLO AND PIANO Like a Whirling Sand Clock for clarinet , cello and piano Duration: 10.5 minutes Instrumentation: clarinet, cello and piano ​ Year Composed: 2006 Written For: Chen Halevi ​ Commissioned by: In memory of Adele and John Gray ​ Premiere Performance: 31 March, 2007 Tel Aviv, Israel Chen Halevi, clarinet Anssi Karttunen, cello Ofra Yitzhaki, piano TRIO FOR CLARINET, CELLO AND PIANO VIEW SCORE LISTEN TRIO FOR CLARINET, CELLO AND PIANO REPERTOIRE Program Notes: While composing Like a Whirling Sand Clock for clarinet, cello and piano, I was occupied with the notion of leaking time process, which is a microcosmos of a larger process, best to be described as going back in time. In September 2006, I feel that the world is standing on a pivot point: on one hand, the various religious and political forces insist on rooting themselves deeper and deeper into what they see as the only truth, while in reality such ideas and especially the religious ones are extremely fundamentalist, reactionary and ill-minded. For me, such clashes of ideas and ideals are reminiscences of the dark middle-ages days and the crusades, where people killed people because of blind belief. Yet, in our days, with sophisticated mass destruction tools as developed most efficiently by humanity, one asks himself towards where we are heading and what will bring tomorrow. The feeling of evaporating, leaking time gets stronger and stronger while our era’s events remind more and more what history books tells us. While imagining an ever-whirling sand clock that drops its sand grains one by one while the sand pile is collected at the upper tube and not the lower one, (thus indicating a going back in time process), one can imagine visually what I have tried to portrait with sounds. Like a Whirling Sand Clock was generously commissioned in memory of Adele and John Gray for clarinetist Chen Halevi. VIEW SCORE LISTEN Quick View Like a Whirling Sand Clock [PDF download) Price $18.00 Add to Cart Quick View Like a Whirling Sand Clock (score & 2 parts) [Hard Copy] Price $37.50 Add to Cart clarinet, cello and piano | clarinet trio | trio for clarinet, cello and piano | music for clarinet, cello and piano additional works for clarinet additional works for piano

MUSIC FOR CLASSICAL SAXOPHONE AND PIANO | REPERTOIRE FOR ALTO SAXOPHONE AND PIANO HIDDEN REFLECTIONS for also saxophone and piano ​Duration: 15 minutes Instrumentation: alto saxophone and piano ​ Year Composed: 1996 Written For: Styliani Tartsinis ​ Premiere Performance: 16 December, 1997 Boston, MA, USA Styliani Tartsinis, alto saxophone Jenny Tang, piano ALTO SAXOPHONE AND PIANO VIEW SCORE LISTEN Program Notes: “Hidden Reflections” for Alto Saxophone and piano explores the expressivity, agility, wide-range and rhythmic characteristic of the saxophone. The piece is in two movements: First, “The March of the _______!!!” is an impression of a grotesque march and alternates between odd and steady meters. The second movement, “The Evening of the First Snow” is nostalgic and meditative, inspired by the falling snowflakes in one evening of Bostonian winter, as I experienced it in 1996. "Hidden Reflections" was written for saxophonist Styliani Tartsinis who premiered the work and recorded it. VIEW SCORE LISTEN additional works for saxophone additional works for piano Quick View Hidden Reflections - for Saxophone and Piano (full score & part) [PDF download) Price $16.00 Add to Cart Quick View Hidden Reflections - for Saxophone and Piano [score + part Hard Copy] Price $22.50 Add to Cart Quick View Hidden Reflections [CD] Price $15.00 Add to Cart Alto saxophone and piano piano | music for alto saxophone and piano, | contemporary music for saxophone and piano

ART SONG IN HEBREW FOR ALTO AND PIANO. POEM BY LEAH GOLDBERG THE TAILORESS SONG for alto and piano Duration: 3.5 minutes Instrumentation: alto and piano ​ Year Composed: 2009 Poems By: Leah Goldberg ​ Language: Hebrew VIEW SCORE Quick View The Tailoress Song [PDF download] Price $4.00 Add to Cart Quick View The Tailoress Song [Hard Copy] Price $8.00 Add to Cart VIEW SCORE Hebrew Art Song | Art Song in Hebrew | Israeli Art Song | Leah Goldberg | Israeli Lieder Hebrew Art Song | Art Song in Hebrew | Israeli Art Song | Leah Goldberg | Leah Goldberg | art song | voice and piano

TRIO FOR CLARINET, BASSOON AND HORN | WOODWIND TRIO TRIO FOR CLARINET, BASSOON AND HORN for clarinet , bassoon and horn Duration: 5 minutes Instrumentation: for clarinet, bassoon and horn ​ Year Composed: 2001 Written For: Patricia Schmitt ​ Premiere Performance: Boston, USA Louis Demartino clarinet Adam Smith, bassoon Patricia Schmitt, horn VIEW SCORE LISTEN Quick View Trio for Clarinet, Bassoon and Horn (score and parts) [PDF download) Price $16.00 Add to Cart Quick View Trio for Clarinet, Bassoon and Horn [Hard Copy] Price From $19.00 Add to Cart VIEW SCORE LISTEN Trio for clarinet, bassoon and horn; music for clarinet, horn and bassoon, trio for winds

SOPRANO AND PERCUSSION | MUSIC FOR SOPRANO AND PERCUSSION DIALOGUES for soprano and percussion Duration: 11 minutes Instrumentation: soprano and percussion ​ Year Composed: 1999 Poems by: Lior Navok / Vocalize Movements: 1. Talking Doll 2. Sargam 3. Twinkles 4. Shadowphobia ​ Language: English ​ Written For: Matt Masie Premiere Performance: 17 November, 1999 Boston, Mass., USA Jennifer Ashe, soprano Matt Masie, percussion SOPRANO AND PERCUSSION VIEW SCORE LISTEN VIDEO Quick View Dialogues [PDF download] Price $14.00 Add to Cart Quick View Dialogues [Hard Copy] Price From $28.00 Add to Cart Program Notes: Dialogues for soprano and percussion was composed as a semi-theatrical composition, not to be acted. Talking Doll is a short satire about humans who act like machines for the sake of formality. The word Sargam in Indian means Solfège. The syllables sa, re, ma, ga, pa, dha (not used here) and ni are equal to our do, re, mi. Shadowphobia , as the name implies, deals with the relationship between a person and his/her shadow. VIEW SCORE VIDEO Dialogues - Lior Navok Play Video Dialogues - Lior Navok Play Video Share Whole Channel This Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Share Channel Info Close LISTEN Soprano and Percussion | Music for Soprano and Percussion

CHAMBER CHOIR, CHORUS, HARMONICA, PERCUSSION AND PIANO MEDITATIONS OVER SHORE for soli, choir and small ensemble Duration: 14 minutes Instrumentation: soli (SATB), double chamber choir, double large choir,harmonica, percussion (2) and piano ​ Year Composed: 1997 Text: mainly vocalize, with one sentence from a poem by H.N. Bialik ​ Language: Vocalize, Hebrew ​ Written For: Tamara Brooks ​ Premiere Performance: 22 April, 1998, Boston, MA, USA The New England Conservatory Chamber Singers and Chorus Mike Turk, harmonica Eliko Akahori, piano Jessica Cooper, Timur Rubinshteyn, percussion Tamara Brooks, conductor VIEW SCORE LISTEN SHOP / HIRE MUSIC Program Notes: Meditations Over Shore is a one day journey along the shore. Being far from homeland, many memories about the shore on the other side of the ocean came to my mind. While walking on the shore, one can hear the murmur of the waves, buoy bells, rain and foghorns – all found their way into the score. For most of the time, the soloists and chorus do not sing text, but rather breathe and hum. I decided to use only one line of text, after a poem by H.N. Bialik – one of Israels’s most important poets: “Me’ever La-Yam” (Beyond the sea.) For the premiere of “Meditations Over Shore”, I used buoy bells that were borrowed from the Rhode Island Coast Guard. When the buoy bells are too hard to get, other kind of bell (with no clapper), metal plate, or small tam tams may substitute. Meditations Over Shore was written for conductor Tamara Brooks and the New England Conservatory chamber singers and chorus. VIEW SCORE Quick View Meditations Over Shore (study score) [PDF download] Price $12.50 Add to Cart Quick View Meditations Over Shore (performance score) [PDF download] Price $98.00 Add to Cart Quick View Meditations Over Shore [Hard Copy] Price From $22.00 Add to Cart Quick View Meditations Over Shore [CD] Price $15.00 Add to Cart LISTEN choral music | Choral music Hebrew Text | music for piano and chorus | Hebrew text | Bialik | Israeli choral music

MARIMBA CONCERTO, MUSIC FOR TWO MARIMBAS AND ORCHESTRA ...OF WEAVING THE SHADOWED WAVES for two marimbas and chamber orchestra Duration: 7.5 minutes Instrumentation: 2 marimbas (soli), 2 oboes,2 horns, strings (6,5,4,3,1) Year Composed: 2003 Written For: PercaDu and The Tel Aviv Soloists; Barak Tal, music director Commissioned By: In memory of Adele and John Gray for the America-Israel Cultural Foundation Premiere Performance: 9 November 2003, Carnegie Hall, New York, USA PercaDu: Adi Morag and Tomer Yariv, marimbas The Tel Aviv Soloists Barak Tal, conductor VIEW SCORE LISTEN SHOP / HIRE MUSIC Quick View …of weaving the shadowed waves [PDF download] Price $12.00 Add to Cart Quick View …of weaving the shadowed waves [Hard Copy] Price $35.00 Add to Cart Program Notes: While composing “…of weaving the shadowed waves” I was fascinated by imaginary visual images of under-water waves woven into each other thus creating ever-changing contours and curves. At the same time, the surroundings itself – the water, was for most of the time peaceful in its nature, dark blue, mysterious, full of shadows and reflections from above the surface. The two marimbas, with their mysterious, haunting, yet dry tone create these altering waves – changing their intensity, their direction and their relation to the surrounding water. These waves often leave the depth and continue their movement above the surface. On its turn, the surrounding water, or musically speaking the orchestra is responsive to the play of the waves – moving along with them loosing and gaining tranquility. …of weaving the shadowed waves was commissioned in memory of Adele and John Gray for the America-Israel Cultural Foundation Gala concert – 9 November 2003, Carnegie Hall. It was written for PercaDu – Adi Morag and Tomer Yariv, percussionists and The Tel-Aviv Soloists Ensemble conducted by Barak Tal. With many thanks to Gideon Paz, who initiated the creation of this composition. VIEW SCORE LISTEN Marimba and Orchestra | Music for percussion and orchestra | two marimbas and orchestra | marimba & orchestra

CONTEMPORARY MUSIC FOR CELLO AND PIANO | CELLO AND PIANO MUSIC FLUCTUATIONS for cello and piano Duration: 10 minutes Instrumentation: cello and piano ​ Year Composed: 2017 Written For: Noémi Boutin and Marie Vermeulin ​ Commissioned By: Festival de Chaillol Michaël Dian, artistic director ​ Premiere Performance: 7 August 2017 Gap, France Noémi Boutin, cello Marie Vermeulin, piano MUSIC FOR CELLO AND PIANO VIEW SCORE LISTEN VIDEO CONTEMPORARY CELLO AND PIANO REPERTOIRE Contemporary cello and piano repertoire VIEW SCORE LISTEN Quick View "Fluctuations" for Cello and Piano [score + part - Hard Copy] Price $22.50 Add to Cart Quick View "Fluctuations" - for Cello and Piano (score and part) [PDF download] Price $12.50 Add to Cart MUSIC FOR CELLO AND PIANO | CELLO AND PIANO MUSIC | CELLO PIANO REPERTOIRE | CELLO AND PIANO | VIDEO additional works for cello additional works for piano

MUSIC FOR FLUTE AND VIOLIN CAPRICCIO for flute and violin Duration: 5 minutes Instrumentation: flute and violin ​ Year Composed: 2002 VIEW SCORE Quick View Capriccio [PDF download) Price $8.00 Add to Cart Quick View Capriccio [Hard Copy] Price $18.00 Add to Cart VIEW SCORE Flute and Violin Music for flute and violin duo

9/11 CHAMBER MUSIC | MUSIC INSPIRED BY 9/11 | CLASSICAL MUSIC INSPIRED BY 9/11. ELEGY TO THE FUTURE for Pierrot ensemble Duration: 13 minutes Instrumentation: piccolo/alto flute; clarinet; violin; cello; percussion; piano ​ Year Composed: 2001 Written For: Collage New Music, David Hoose, conductor ​ Commissioned by: Collage New Music, with kind support by Catherine and Paul Buttenwieser ​ Premiere Performance: 24 February, 2001 Boston, MA, United States Collage New Music Linda Toote, flutes Robert Annis, clarinets Catherine French, violin; Joel Moerschel, cello Christopher Oldfather, piano Craig McNutt, percussion David Hoose, conductor 9/11 RELATED CHAMBER MUSIC VIEW SCORE LISTEN Quick View Elegy to the Future (full score) [PDF download] Price $12.00 Add to Cart Quick View Elegy to the Future (set of parts) [PDF download] Price $28.00 Add to Cart Quick View Elegy to the Future [Hard Copy] Price From $48.00 Add to Cart Program Notes: Elegy to the Future for Pierrot ensemble was written in Tel Aviv, Israel during a period of daily bomb attacks, shooting and growing tension. I asked myself how and when it would end. Then came September 11, 2001 and my previous thoughts received an even greater dimension. This piece, which was completed in September 26, 2001, deals with the sorrow, restlessness and fear for the future, caused by such events. Toward the end of the piece, one can hear fragments from the second movement of Mozart Piano Concerto No. 23, K. 488.For me, this fragment represents the understanding that things will never be the same again and that the pure is now shadowed in darkness. Elegy to the Future was commissioned by, and is dedicated to David Hoose, and Collage New Music. VIEW SCORE LISTEN Additional Music for Pierrot Ensemble 9/11 CHAMBER MUSIC| MUSIC INSPIRED BY 9/11