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  • Seven Haiku | Contemporary Music for Flute and Harp | Flute and Harp Repertoire

    FLUTE AND HARP REPERTOIRE Contemporary flute and harp music | Flute and harp duets | Modern flute and harp compositions | New flute and harp repertoire | Flute and harp chamber music | Contemporary classical flute and harp pieces | Flute and harp sheet music | Experimental flute and harp compositions | Avant-garde flute and harp repertoire | Cutting-edge flute and harp music | Unique flute and harp compositions | Flute and harp contemporary composers | Flute and harp concert repertoire | Flute and harp contemporary performance pieces | Original flute and harp music SEVEN HAIKU for flute (or alto flute) and harp Duration: 12 minutes Instrumentation: flute (or alto flute) and harp Year Composed: 2024 ​ Premiere Performance: Susan Rotholz, flute Stacey Shames, harp 9 May, 2024 New York, USA MUSIC FOR FLUTE AND HARP Program Notes: Seven Haiku is a set of seven poetic miniatures for flute (or alto flute) and harp. All miniatures are short and slow, almost still tempo, thus creating a rather static, meditative feeling. They should be played without any pause in-between, as long as the harp’s pedal setting allows. The listener shall perceive the music as one, whole and uninterrupted meditative event. Available Sheet Music for Flute and Harp Contemporary flute and harp sheet music with downloads | Flute and harp duets sheet music download | Modern flute and harp compositions downloadable sheet music | New flute and harp repertoire sheet music downloads | Flute and harp chamber music sheets with downloads | Contemporary classical flute and harp sheet music for download | Experimental flute and harp compositions sheet music downloads | Avant-garde flute and harp repertoire downloadable sheet music | Cutting-edge flute and harp sheet music downloads | Unique flute and harp compositions with downloadable sheet music | Flute and harp contemporary composers sheet music downloads | Flute and harp concert repertoire sheet music for download | Flute and harp contemporary performance pieces sheet music downloads | Original flute and harp sheet music with downloads "Seven Haiku" - score and parts [PDF download] Price $14.00 Add to Cart Lior Navok is a self-published composer. why? Related Music MUSIC FOR FLUTE MUSIC FOR HARP DUNES for unaccompanied flute EAST OF THE CANE FIELDS for unaccompanied harp VEILED ECHOES for flute, viola and harp Harp Quick View "Seven Haiku" - score and parts [PDF download] Price $14.00 Quick View "East of the Cane Fields" -for Harp Solo [PDF download] Price $7.00 Quick View "East of the Cane Fields" -for Harp Solo [Hard Copy] Price $12.50 Quick View A’l Mishcavi Baleylot (Upon my bed by night) [PDF download] Price $6.00 Quick View A’l Mishcavi Baleylot (Upon my bed by night) [Hard Copy] Price $13.50 Quick View Veiled Echoes (score and parts) [PDF download] Price $24.00 Quick View Veiled Echoes (score + 3 parts) [Hard Copy] Price $39.50 Quick View "Quartet for Flute, Clarinet, Bassoon and Harp" (Score) [PDF download] Price $11.00 Quick View "Quartet for Flute, Clarinet, Bassoon and Harp" (Set of Parts) [PDF download] Price $24.00 Quick View Spring Calls (set of parts) [PDF download] Price $22.50 Quick View Spring Calls (full score) [PDF download] Price $12.50 Quick View Spring Calls [Hard Copy] Price From $23.00 Contemporary flute and harp sheet music by living composers with downloads | Flute and harp duets sheet music by living composers for download | Modern flute and harp compositions by living composers downloadable sheet music | New flute and harp repertoire sheet music by living composers downloads | Flute and harp chamber music sheets by living composers with downloads

  • Cello Ensemble Music | Cello Ensemble Repertoire | Contemporary Music

    CELLO ENSEMBLE MUSIC Cello ensemble pieces | Cello ensemble repertoire | New music for cello ensemble | Cello ensemble sheet music | Cello ensemble arrangements | Contemporary cello ensemble music | Cello ensemble composers | Chamber music for cellos | Cello ensemble scores | Modern cello ensemble pieces | Cello ensemble music books | Composer for cello ensemble | Classical cello ensemble music | Cello ensemble performance pieces | TOURELLES for cello ensemble and piano Duration: 12 minutes Instrumentation: for four cellos and piano. ​ Year Composed: 2019 CELLO ENSEMBLE REPERTOIRE Program Notes: Tourelles is a slow and meditative piece for four cellos and piano. It evokes a medieval texture while introducing fresh harmonic suggestions. ​ SCORE Available Cello Ensemble Sheet Music Cello ensemble sheet music | Cello ensemble scores | Sheet music for cello ensemble | Cello ensemble arrangements | Contemporary cello ensemble sheet music | New cello ensemble music | Cello ensemble music books | Modern cello ensemble scores | Composer for cello ensemble | Original cello ensemble compositions | Chamber music for cellos | Classical cello ensemble sheet music | Cello ensemble repertoire | Cello ensemble performance pieces "Tourelles" - for Cello Ensemble and Piano (score and parts) [PDF download] Price $25.00 Add to Cart "Tourelles" - for Cello Ensemble and Piano [Hard Copy] Price From $18.00 Add to Cart Lior Navok is a self-published composer. why? Related Music MUSIC FOR CELLO MUSIC FOR PIANO Cello Quick View "Fantasy" - for Unaccompanied Cello [PDF download] Price $6.00 Quick View "Fantasy" - for Unaccompanied Cello [Hard Copy] Price $12.00 Quick View "Fluctuations" - for Cello and Piano (score and part) [PDF download] Price $12.50 Quick View "Fluctuations" for Cello and Piano [score + part - Hard Copy] Price $22.50 Quick View Piano Trio (full score) [PDF download) Price $12.00 Quick View Piano Trio (set of parts) [PDF download) Price $12.00 Quick View Piano Trio [Hard Copy] Price From $36.00 Quick View Like a Whirling Sand Clock [PDF download) Price $18.00 Quick View Arabesque (full score + parts) [PDF download] Price $18.50 Quick View Arabesque (full score) [PDF download] Price $11.50 Quick View Arabesque [Hard Copy] Price From $26.00 Quick View Voices from India (Parts) [PDF download] Price $22.00 Quick View Like a Whirling Sand Clock (score & 2 parts) [Hard Copy] Price $37.50 Quick View Voices from India (full score) [PDF download] Price $11.00 Quick View Voices from India [Hard Copy] Price From $23.00 Quick View Hope Cycles - String Quartet No. 2 (parts) [PDF download] Price $18.00 Contemporary cello ensemble pieces | New cello ensemble compositions | Modern cello ensemble repertoire | Innovative cello ensemble music | Cutting-edge cello ensemble scores | Experimental cello ensemble compositions | Avant-garde cello ensemble pieces | Progressive cello ensemble repertoire | Current cello ensemble music | Original cello ensemble works | Creative cello ensemble compositions | Contemporary chamber music for cellos | Composer of contemporary cello ensemble music | Cello ensemble music from living composers

  • Contemporary Music for Horn | Repertoire for Horn | Horn Composers

    CONTEMPORARY MUSIC FOR HORN. HORN PIECES, CONTEMPORARY HORN MUSIC, CONTEMPORARY HORN REPERTOIRE, 20TH CENTURY MUSIC FOR HORN, HORN COMPOSERS CONTEMPORARY MUSIC FOR HORN UNACCOMPANIED chamber music stage music with horn contemporary horn repertoire SOLO UNACCOMPANIED HORN Six Pieces for Solo Horn 11' 30" | French horn solo Contemporary unaccompanied horn music | Solo horn repertoire | Modern horn solos | Unaccompanied horn compositions | New solo horn music | Solo horn pieces | Avant-garde horn solos chamber music HORN CHAMBER MUSIC Paper Tigers for double wind quintet 9' 30" | trumpet, horn and trombone Trio for Clarinet, Bassoon and Horn 5' | clarinet, bassoon and horn Gitz & Spitz Suite for brass quintet 14' | trumpets (2), French horn, trombone, tuba Upcoming: Toward Stillness for horn and piano Six Short Stories for Woodwind Quintet 12' | flute / piccolo, oboe, clarinet, horn, bassoon Flashes of Decay for chamber ensemble 12'​ | flute / piccolo; English horn; clarinet / bass clarinet; horn; tuba; percussion (2); harp; piano Tetris for double wind quintet 18' | 2 flutes, 2 oboes, 2 clarinets, 2 horns, 2 bassoons Three Episodes for Chamber Ensemble for chamber ensemble 12' | flute, oboe, clarinet, bassoon, percussion (1), piano, violin, viola, cello and double bass Chamber music for horn | Horn ensemble repertoire | Horn chamber works | Horn and piano duets | Horn trios | Horn and string ensemble pieces | Horn and woodwind ensemble compositions | Contemporary horn chamber music | Modern horn chamber repertoire | STAGE MUSIC WITH HORN STAGE MUSIC WITH FLUTE Gitz & Spitz for actor and chamber ensemble 50' | actor; clarinet, alto saxophone, bassoon; horn; trumpet; trombone, tuba and percussion (1) The Adventures of Pinocchio for three actors and woodwind quintet / orchestra 61' | 3 actors (F,M,M), flute / piccolo, oboe / English horn, clarinet, horn, bassoon and piano OR: 3 actors (F,M,M), flute / piccolo, oboe / English-horn, clarinet, bassoon, horn, trumpet, trombone, percussion (1), harp, piano, strings Available Sheet Music for Horn: Downloadable horn sheet music | Horn scores download | Digital horn music | Printable horn music | PDF horn scores | Instant horn sheet music | Online horn music | Downloadable horn solos | Horn ensemble scores download | Contemporary horn sheet music download | "Paper Tigers" for Brass Trio - score and parts [PDF download] Price $16.50 Add to Cart "Six Pieces for Horn Solo" - for unaccompanied Horn [PDF download] Regular Price $6.00 Sale Price $4.50 Add to Cart "Six Pieces for Horn Solo" - for unaccompanied Horn [Hard Copy] Price $14.00 Add to Cart Load More ABOUT CONTEMPORARY MUSIC FOR HORN Contemporary music for horn is an exciting and dynamic area of music that has seen significant growth and innovation in recent years. This genre is characterized by its diversity, with compositions ranging from solo pieces to large ensemble works, and styles that span from the traditional to the avant-garde. The horn, with its rich tonal qualities and versatile range, has become a favored instrument for many contemporary composers. These composers are continually pushing the boundaries of what is possible with the horn, creating new techniques and sounds that challenge traditional notions of the instrument’s capabilities. ​ Contemporary horn music | Horn sheet music | Modern horn repertoire | Horn compositions | New horn music | Horn solo pieces | Horn ensemble music | Avant-garde horn music | Experimental horn compositions | Cutting-edge horn music | Contemporary horn composers | Horn music scores | Innovative horn pieces | Progressive horn music | Original horn compositions

  • טימי אמיץ הלב | ספר ילדים

    טימי אמיץ הלב ספר ילדי ם מאת ליאור נבוק איורים: שירלי ויסמן לגילאי תחילת קריאה (5-8) ​ כְּשֶׁטִּימִי בֶּן הַשְּׁמוֹנֶה שׁוֹמֵעַ שֶׁבְּנֵי כְּפָרוֹ מִתְכַּוְּנִים לָצֵאת וְלָצוּד אֶת הַזְּאֵב, הֶחָבֵר הַלֵּילִי שֶׁאִתּוֹ הוּא מְתַקְשֵׁר בְּכָל לַיְלָה - הוּא מַחֲלִיט לָצֵאת אֶל הַיַּעַר וּלְהַזְהִירוֹ. בַּדֶּרֶךְ הוּא פּוֹגֵשׁ אֶת טוֹרוֹ הַצַּיָּד, שֶׁכְּבָר צַד הַרְבֵּה זְאֵבִים בְּחַיָּיו; הוּא פּוֹגֵשׁ גַּם אֶת הַדֹּב, שֶׁאֵינוֹ מַפְחִיד כְּפִי שֶׁחָשַׁב, וַאֲפִלּוּ יְדִידוּתִי, וּלְבַסּוֹף הוּא פּוֹגֵשׁ גַּם אֶת הַזְּאֵב וּמְגַלֶּה שֶׁ... הסיפור "טימי אמיץ הלב" נכתב במקור כטקסט ליצירה מוסיקלית הבאה להציג גישה הפוכה לסיפור "פטר והזאב" מאת סרגיי פרוקופייב. בעוד אומץ ליבו של פטר מתבטא בתפיסת הזאב ובכליאתו, טימי באומץ ליבו ובמעשיו מביא לקרבה בין אדם וטבע, לקבלת האחר ולהתגברות על פחד - ובכך גורם לשינוי חיובי. ​ טימי אמיץ הלב מאת: ליאור נבוק איורים: שירלי ויסמן עריכה: מאיה דילאון עיצוב הספר: ורד הקרט לרכישה להזמנות לחו"ל, הקליקו כאן Play Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied ילדים והורים שלום! ​ חשבתי לספר לכם מעט כיצד נולד הספר "טימי אמיץ הלב." תרצו לשמוע? ​ הכל התחיל בערב אחד, כשהקשבתי לסיפור "פטר והזאב" וחשבתי לעצמי שזהו סיפור לא ממש נחמד... פטר אומנם גיבור, כן – הוא בהחלט גיבור, אבל את הזאב שהוא תפס מובילים הציידים אל גן החיות, ושם – שם כולאים אותו... אבל מקומו של הזאב הוא לא בגן החיות אלא ביער – חופשי ביער... ​ אז החלטתי לכתוב סיפור הפוך. במקום שהילד יתפוס את הזאב, הוא יתחבר עם הזאב ויעזור לו, ולזה דרושה גם גבורה רבה. כך נולד הסיפור "טימי אמיץ הלב". ​ מכיוון שאני מלחין (מחבר מוסיקה לתזמורות והרכבים), הלחנתי את הסיפור לתזמורת ושחקן – ממש כמו "פטר והזאב"! בקונצרטים שבהם ניגנו את המוסיקה והקריאו את הסיפור, הילדים בקהל רצו שהזאב יהיה חופשי ושבני האדם ידעו לכבד אותו. זה מאוד שימח אותי! בעקבות הקונצרטים, החלטתי להוציא את הסיפור כספר ילדים, כדי שילדים יוכלו לקרוא אותו בבית עם ההורים שלהם מתי שהם רוצים גם כשהם לא בקונצרט. ​ אז התקשרתי למאיירת שירלי ויסמן , שמאוד אהבה את הסיפור ויצרה עבורו איורים מקסימים. ואז התקשרתי לעורכת מאיה דילאון , שעזרה לי בעריכת הספר והוסיפה רעיונות משלה. ולבסוף הצטרפה המעצבת ורד הקרט , שעיצבה את הספר המקסים בשלל רעיונות וצבעים. בסוף הספר, הוספנו לכם הפתעה לגזירה ומשחק, ואז – יצאנו לדרך! אחרי כמה חודשי עבודה, שלחנו את הספר אל בית הדפוס. כעת הספרים מחכים לכם! קריאה מהנה! שלכם, ליאור נבוק ספר הילדים "טימי אמיץ הלב" יצא לאור בהוצאה עצמית ומוצע לרכישה באתר זה בלבד. לרכישה להזמנות לחו"ל, הקליקו כאן מכתבים לליאור שילחו הודעה ההודעה נשלחה ליאור נבוק הוא מלחין ישראלי אשר יצירותיו מוזמנות ומבוצעות על ידי תזמורות ומבצעים בישראל ובעולם. זוהי יצירתו המוזיקלית הראשונה שעובדה לספר ילדים. ​ WWW.LIORNAVOK.COM כל הזכויות שמורות © 2023, ליאור נבוק כל שימוש ללא היתר בטקסט, באיורים ובמוסיקה מהווה עבירה על החוק.

  • 9/11 Related Chamber Music | Pierrot Sextet Music | Contemporary Music

    CHAMBER MUSIC REFLECTIONS: 9/11 AND WAR pierrot sextet composition | 9/11 chamber music piece | chamber music war themes | musical response to terrorism | contemporary chamber music | chamber music ensemble work | chamber music composition analysis | emotional chamber music piece | chamber music for reflection | music and historical events | artistic response to 9/11 | classical music war themes | chamber music with narration | instrumental reflection on 9/11 | musical composition and tragedy ELEGY TO THE FUTURE for Pierrot ensemble Duration: 13 minutes Instrumentation: piccolo/alto flute; clarinet; violin; cello; percussion; piano ​ Year Composed: 2001 Written For: Collage New Music, David Hoose, conductor ​ Commissioned by: Collage New Music, with kind support by Catherine and Paul Buttenwieser ​ Premiere Performance: 24 February, 2001 Boston, MA, United States Collage New Music Linda Toote, flutes Robert Annis, clarinets Catherine French, violin; Joel Moerschel, cello Christopher Oldfather, piano Craig McNutt, percussion David Hoose, conductor 9/11 RELATED CHAMBER MUSIC VIEW SCORE LISTEN VIEW SCORE Program Notes: Elegy to the Future for Pierrot ensemble was written in Tel Aviv, Israel, during a period of daily bomb attacks, shootings, and growing tension. I asked myself how and when it would end. Then came September 11, 2001, and my previous thoughts gained an even greater dimension. This piece, completed on September 26, 2001, deals with the sorrow, restlessness, and fear for the future caused by such events. Towards the end of the piece, fragments from the second movement of Mozart's Piano Concerto No. 23, K. 488, can be heard. For me, this fragment represents the understanding that things will never be the same again and that the pure is now shadowed in darkness. "Elegy to the Future" was commissioned by and is dedicated to David Hoose and Collage New Music. LISTEN Available 9/11 related Sheet Music pierrot sextet sheet music | 9/11 chamber music score | war themed chamber music | terrorism musical composition | contemporary chamber ensemble scores | chamber music composition sheets | emotional music sheet download | reflective chamber music scores | historical event music scores | artistic 9/11 response scores | classical war music sheets Elegy to the Future (full score) [PDF download] Price $12.00 Add to Cart Elegy to the Future (set of parts) [PDF download] Price $28.00 Add to Cart Elegy to the Future [Hard Copy] Price From $48.00 Add to Cart Lior Navok is a self-published composer. why? Related Music MUSIC FOR FLUTE MUSIC FOR CLARINET MUSIC FOR VIOLIN MUSIC FOR CELLO MUSIC FOR PERCUSSION MUSIC FOR PIANO SEXTET for pierrot ensemble QUICKSAND for bass clarinet, violin, cello, percussion and piano LIKE A WHIRLING SAND CLOCK - for clarinet, cello and piano More about Pierrot Sextet Repertoire Join the Program Sextet Quick View "Sextet" (full score) [PDF download] Price $16.00 Quick View "Sextet" (set of parts) [PDF] Price $32.00 Quick View Sextet [Hard Copy] Price From $26.00 pierrot sextet composition | chamber music for 9/11 | musical response to war | contemporary chamber ensemble | chamber music and historical events | artistic reflection on terrorism | classical music and tragedy | emotional chamber music | chamber music for reflection | chamber music ensemble piece

  • Lior Navok: String Quartet No. 1 (Voices from India) | Indian-inspired string quartet music

    INDIAN-INSPIERED STRING QUARTET MUSIC Indian-inspired string quartet music | Raga-based string quartet compositions | Contemporary Indian classical quartet repertoire | Modern string quartet arrangements with Indian influences | Fusion string quartet pieces with Indian ragas | Innovative string quartet interpretations of Indian ragas | Progressive chamber music inspired by Indian themes | Avant-garde string quartet compositions with Indian influences | Experimental string quartet pieces exploring Indian ragas | Unique string quartet blending Western and Indian musical traditions | Cutting-edge chamber music compositions with Indian raga elements. VOICES FROM INDIA (string quartet no. 1) Duration: 17 minutes Instrumentation: violins (2); viola and cello ​ Year Composed: 1997 Premiere Performance: 12 May, 1998 Boston, MA, USA Christina Day, violin Ania Bard, violin Eric Paetkau, viola Erica Wise, cello ​ Movements: 1. Alap 2. Gat 3. Jahla VIEW SCORE LISTEN Program Notes: ​ Before 1997, my appreciation of Indian music was rather superficial. While I enjoyed listening to it, I was not aware of its compositional and improvisational procedures. It was essential to engage myself in the study of Indian music. A new world, unfamiliar to the typical Western musician, awaited me. As I explored the different techniques used by Indian musicians, I became inspired to compose a piece of my own. The string quartet, which represents one of the main pillars of Western music, seemed an ideal medium to convey the ideas I had gleaned from Indian music. The quartet is in three movements which are based on a typical form of Indian classical music (Northern and Southern). The Alap is a slow, un-metered movement that is based on one main raga. It can be short or extended up to one hour long. The Alap also serves as an introduction to the Gat. Typically, at this stage, the Tabla player joins the soloist, playing a rhythmic cycle entitled Tala. In Voices from India, the Gat movement is made of a ten-beat cycle (divided 2+3 2+3). Emerging from the Gat is the Jhalla. Here, the soloist constantly uses open drone strings, accelerates into a very fast tempo which leads to a climax and conclusion. The melodic material of the quartet is based on a few ragas. The main ones are “Rama Priya” and “Shyam” for the first movement, “Jog” and “Suddha Vasant” for the second, and “Suddha Sarang” for the third. Nonetheless, the quartet is not an attempt to imitate Indian classical music but rather an endeavor to bring Indian ideas and flavors into the Western medium of a string quartet. Voices from India is dedicated to Dr. Peter Row who has guided me through the concealed paths of Indian music. LISTEN VIEW SCORE Available Sheet Music for String Quartet No. 1 Indian-inspired string quartet sheet music | Raga-based string quartet compositions sheet music | Contemporary Indian classical quartet repertoire sheet music | Modern string quartet arrangements with Indian influences sheet music | Fusion string quartet pieces with Indian ragas sheet music | Avant-garde string quartet compositions with Indian influences sheet music | Experimental string quartet pieces exploring Indian ragas sheet music | Voices from India (Parts) [PDF download] Price $22.00 Add to Cart Voices from India (full score) [PDF download] Price $11.00 Add to Cart Voices from India [Hard Copy] Price From $23.00 Add to Cart Hidden Reflections [CD] Price $15.00 Add to Cart Lior Navok is a self-published composer. why? Related Music ADDITIONAL STRING QUARTETS MUSIC FOR VIOLIN MUSIC FOR VIOLA MUSIC FOR CELLO Living composer string quartets | Contemporary string quartet repertoire | String quartets by modern composers | New string quartet compositions | String quartet works by living artists | String quartet pieces from today's composers | Contemporary string quartet arrangements | Living composer string quartet scores | Modern string quartets by living musicians | New compositions for string quartet

  • An Unserem Fluss | Opera in Two Acts | Contemporary Music

    ISRAEL-PALESTINE CONFLICT OPERA Political opera Israel Palestine conflict | Opera war politics Middle East | Israel Palestine conflict musical drama | Middle East conflict opera performance | Political theater Middle East war | Opera about Israeli Palestinian conflict | Music drama Middle East politics | War politics musical production | Opera on Israel Palestine war | Music theater Middle East conflict | Political opera Middle East crisis | Opera Israel Palestine tension | Conflict-themed opera production | Political music drama Middle East AN UNSEREM FLUSS (BY OUR RIVER) opera in two acts Duration: 93 minutes ​ Year Composed: 2013 ​ Story and Libretto By: Lior Navok ​ Language: German ​ German Translation: Kristian Lutze ​ Dramatis Personæ: Lucia: light lyric soprano Allendorf: lyric baritone Fred Bucksmann: bass-baritone Klara Bucksmann: high soprano Sinya: alto Chicken-Heart: tenor buffo Sipho: young lyric tenor Zachary Rutget: dramatic bass Right-Hand: dramatic tenor Mr. Kavi: lyric bass Farmer, Guard, Big Uncle (Head I): bass-baritone Schatz, Big Uncle (Head II): tenor ​ Orchestra: 1 flute / piccolo / bass flute; 1 oboe / English horn; 1 clarinet / bass clarinet; 1 bassoon / contra bassoon; 1 horn; 1 percussion; 1 harp; 1 piano; strings (6,5,4,3,2) ​ Commissioned By: Oper Frankfurt ​ Premiere Performance: Oper Frankfurt 31 May, 2015 Music Director: Sebastian Zierer Stage Director: Corinna Tetzel Set Design: Stephanie Rauch Customes: Judith Adam Lighting: Jan Hartmann Dramaturgie: Deborah Einspieler Lucia: Kateryna Kasper Allendorf: Daniel Schmutzhard Fred Bucksmann: Davide Damiani Klara Bucksmann: Elizabeth Reiter Sinya: Stine Marie Fischer Chicken-Heart: Alexander Mayr Sipho: Michael Porter Zachary Rutget: Alfred Reiter Right-Hand: Hans Schöpflin Herr Kavi: Carlos Krause Bauer / Big Uncle 1: Gurgen Baveyan Schatz / Big Uncle 2: Yves Saelens Opera war politics Middle East VIEW SCORE Program Notes: Conflicts always involve two or more sides who deeply believe in their truth. When no peaceful solution is to be found, violence is sadly used to pursue it—in the name of God, national sacrifice, and the victims. As new generations grow up into mistrust and intolerance for the "other side," existential fear, open wounds, and leadership manipulation, the tragedy roots itself deeper in the national ethos. When each person around is scratched and affected by the past and present, who will be brave enough to face reality, prejudiced society, and "the other side"? Who could close the gaps and build a trustful bridge? ​ In An unserem Fluss , I have created a world of shaken reality, a fantasy-land – wishful utopia. Two groups face their destiny, fight for their land and the right to exist in honor. Each character, affected by its own trauma, pulls the rope in its direction. Would they succeed finding a common ground? AN UNSEREM FLUSS world premiere production, Oper Frankfurt 2014. An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 An Unserem Fluss Premiere performance of "An Unserem Fluss" Oper Frankfurt 31.5.2015 VIEW SCORE Available Sheet Music for An Unserem Fluss (By Our River): Sheet music for political opera | Opera score Middle East conflict | Music notation war drama | Composer for conflict opera | Music sheet political narrative | Opera libretto on Israel-Palestine | Music composition war politics | Sheet music drama Middle East | Opera theme sheet music | Composer Israel-Palestine conflict An Unserem Fluss (full score) [Hard Copy] Price $107.00 Add to Cart An Unserem Fluss (vocal score) [Hard Copy] Price $56.00 Add to Cart Load More For information regarding rental materials, please click the link below and complete the form as thoroughly as possible. ​ The rental materials consist of a set of parts and a score, which will be sent to you in PDF format. Lior Navok is a self-published composer. why? Related Music ADDITIONAL OPERAS MUSIC THEATRE MUSIC FOR FAMILY CONCERTS Political opera productions | Conflict-themed musical theater | Historical drama in music | Opera and war narratives | Middle East political music | Cultural reflections in opera | Music drama on international conflicts | Opera exploring global politics | Contemporary opera on social issues | Musical interpretations of conflict

  • Fluctuations | Contemporary Music for Cello and Piano | Cello and Piano Repertoire

    MUSIC FOR CELLO AND PIANO Contemporary cello and piano music | Modern cello and piano pieces | Cello-piano repertoire | New cello and piano works | Latest cello-piano repertoire | Avant-garde cello and piano compositions | Progressive cello and piano repertoire | Trendsetting cello and piano pieces | 20th-century cello and piano classics | Iconic cello-piano pieces from the 20th century | Influential cello-piano works spanning the 20th century | Celebrated cello and piano music from the 20th century | Signature cello-piano repertoire from the 20th century | Key cello and piano compositions of the 20th century | Prominent 21st-century cello-piano repertoire | Memorable cello and piano pieces from the 21st century | Cutting-edge cello-piano compositions of the 21st century FLUCTUATIONS for cello and piano Duration: 10 minutes Instrumentation: cello and piano ​ Year Composed: 2017 Written For: Noémi Boutin and Marie Vermeulin ​ Commissioned By: Festival de Chaillol Michaël Dian, artistic director ​ Premiere Performance: 7 August 2017 Gap, France Noémi Boutin, cello Marie Vermeulin, piano Contemporary cello and piano repertoire VIEW SCORE LISTEN VIDEO Program Notes: ​ "I composed "Fluctuations" for cello and piano in response to an invitation from Michaël Dian, the artistic director of the Festival de Chaillol. The piece was specifically crafted for the exceptional cellist Noémi Boutin, who had previously performed my composition "Fantasy" for solo cello, and the nuanced pianist Marie Vermeulin." LISTEN Fluctuations - for cello and piano performed by Noémi Boutin , cello and Marie Vermeulin , piano VIDEO Fluctuations for cello and piano VIDEO Fluctuations - for cello and piano performed by Ella Toovy, cello and Michal Tal, piano Available Sheet Music for Cello and Piano Contemporary cello and piano sheet music | Modern cello and piano scores | Digital cello-piano PDFs | Cutting-edge cello and piano compositions | Progressive cello-piano music sheets | Avant-garde cello and piano pieces | Experimental cello-piano scores | Solo cello with modern piano accompaniment | Duo cello and piano repertoire | Contemporary cello-piano duets | Intermediate modern cello-piano sheet music | Advanced contemporary cello and piano scores | Online store for contemporary cello-piano music | High-quality modern cello and piano scores "Fluctuations" for Cello and Piano [score + part - Hard Copy] Price $22.50 Add to Cart "Fluctuations" - for Cello and Piano (score and part) [PDF download] Price $12.50 Add to Cart Lior Navok is a self-published composer. why? Related Music ADDITIONAL MUSIC FOR CELLO SOLO CELLO PIANO TRIO PIANO QUINTET Cello Quick View "Fantasy" - for Unaccompanied Cello [PDF download] Price $6.00 Quick View "Fantasy" - for Unaccompanied Cello [Hard Copy] Price $12.00 Quick View "Fluctuations" - for Cello and Piano (score and part) [PDF download] Price $12.50 Quick View "Fluctuations" for Cello and Piano [score + part - Hard Copy] Price $22.50 Quick View Piano Trio (full score) [PDF download) Price $12.00 Quick View Piano Trio (set of parts) [PDF download) Price $12.00 Quick View Piano Trio [Hard Copy] Price From $36.00 Quick View Like a Whirling Sand Clock [PDF download) Price $18.00 Quick View Arabesque (full score + parts) [PDF download] Price $18.50 Quick View Arabesque (full score) [PDF download] Price $11.50 Quick View Arabesque [Hard Copy] Price From $26.00 Quick View Voices from India (Parts) [PDF download] Price $22.00 Quick View Like a Whirling Sand Clock (score & 2 parts) [Hard Copy] Price $37.50 Quick View Voices from India (full score) [PDF download] Price $11.00 Quick View Voices from India [Hard Copy] Price From $23.00 Quick View Hope Cycles - String Quartet No. 2 (parts) [PDF download] Price $18.00 Music for cello and piano by living composers | Contemporary cello-piano compositions | Modern cello and piano works | Innovative cello-piano repertoire | Cutting-edge compositions for cello and piano | New music for cello and piano | Latest cello-piano compositions | Avant-garde cello and piano pieces | Original cello-piano duets by living composers | Progressive cello and piano repertoire | Trendsetting cello and piano compositions | Contemporary classical duets | Living composers' cello-piano music

  • Contemporary Music for Woodwind Quintet | Woodwind Quintet Repertoire | Contemporary Music

    CONTEMPORARY MUSIC FOR WOODWIND QUINTET modern wind quintet music | 20th century woodwind quintet pieces | new music for wind ensemble | quintet of winds compositions | contemporary wind quintet scores | 21st century wind quintet repertoire | woodwind ensemble compositions | wind quintet sheet music | original woodwind quintet pieces | composer for wind quintet | innovative wind music | best wind quintet composers | experimental wind ensemble pieces | contemporary classical wind music | soloist with wind quintet | wind ensemble performances | wind quintet arrangements | wind quintet chamber music | unique wind quintet compositions | famous wind quintet works SIX SHORT STORIES for woodwind quintet Duration: 12 minutes Instrumentation: flute / piccolo, oboe, clarinet, horn, bassoon ​ Year Composed: 1996 ​ Premiere Performance: 11 May, 1997 Boston, MA, USA NEC Honors Woodwind Quintet Stephanie Mortimore, flute/piccolo Izumi Nishizawa, oboe Michelle Montone, clarinet Minako Taguchi, bassoon Daniel Shaud, horn ​ Professional Premiere Performance: 13 April, 1998 Normal, IL, USA Sonneris Woodwind Quintet Kim Risinger, flute/piccolo Judith Dicker, oboe Aris Chavez, clarinet Michael Dicker, bassoon Joe Neisler, horn ​ ​ ​ WIND QUINTET REPERTOIRE SCORE-VIDEO VIEW SCORE LISTEN LISTEN Program Notes: The woodwind quintet is among my favorite mediums: the distinct personality of each musical instrument, alongside the harmonious blend achievable, has long sparked my imagination. The titles of the movements reflect my own interpretations and associations with each piece: The First portrays five friends gathering to play together, with one arriving late. The Second is inspired by a native ceremonial dance. The Third reminds me of a gentle breeze on a summer night, sitting on the porch. The Fourth describes a person mesmerized by fire flames, swayed like a marionette by the wind. The Fifth evokes a memory that alternates between sinking and floating, and finally, a conversation on "how a fugue should sound." However, these interpretations are solely mine. I encourage listeners to find their own connections and create their own stories. ​ Movements: 1. The Meeting 2. Native Dance 3. Air 4. Fire Dance 5. Longing (Sinking and Floating Memory) 6. 1+1=11 (Introduction and Fughetta) SIX SHORT STORIES score-video Score-Video VIEW SCORE Available Sheet Music for Contemporary Woodwind Quintet: contemporary wind quintet sheet music | modern woodwind quintet scores | new wind quintet compositions | original wind quintet sheet music | composer for wind quintet scores | contemporary wind ensemble pieces | innovative wind quintet arrangements | 21st century woodwind quintet music | experimental wind quintet sheet music | contemporary classical wind ensemble | best wind quintet composers | wind quintet chamber music scores | soloist with wind quintet sheet music | advanced wind quintet repertoire | contemporary wind music compositions Six Short Stories for Woodwind Quintet (full score) [PDF download] Price $11.00 Add to Cart Six Short Stories for Woodwind Quintet (set of parts) [PDF download] Price $22.00 Add to Cart Six Short Stories for Woodwind Quintet [Hard Copy] Price From $20.00 Add to Cart Lior Navok is a self-published composer. why? Related Music MUSIC FOR FLUTE MUSIC FOR OBOE MUSIC FOR CLARINET THE ADVENTURES OF PINOCCHIO TETRIS for double wind quintet TRIO FOR CLARINET, BASSOON AND HORN MUSIC FOR BASSOON MUSIC FOR HORN modern wind quintet music | 20th century woodwind quintet pieces | new music for wind ensemble | contemporary wind quintet scores | 21st century wind quintet repertoire | wind quintet sheet music | original woodwind quintet pieces | innovative wind music | best wind quintet composers | experimental wind ensemble pieces | contemporary classical wind music | wind ensemble performances | wind quintet arrangements | wind quintet chamber music

  • And the Trains Kept Coming... | Holocaust Related Choral Music | Contemporary Music

    HOLOCAUST-RELATED MUSIC Holocaust-related music | Holocaust music | Holocaust songs | Jewish Holocaust music | WWII music compositions | Holocaust memorial compositions | Holocaust music history | Holocaust-themed oratorio | Jewish choral compositions | Holocaust remembrance music | Holocaust documentary music | Holocaust composers | Jewish WWII music | Holocaust musical tributes | Holocaust educational music AND THE TRAINS KEPT COMING... oratorio Duration: 44 minutes Instrumentation: soloists: tenor solo; bass baritone solo narrator I: basso profundo (amplified) narrator II: baritone (amplified) ​ chorus: boy mezzo-soprano; various soloists from the chorus; chorus – SATB orchestra: 2 flutes, 1 oboe; 2 clarinets; 1 bassoon; 2 horns; 2 trumpets; 3 trombones; 3 percussion ; harp; piano + celesta (one player); strings ​ Year Composed: 2007 ​ Text: Authentic documents, memos, letters, telegrams, notes, newspaper ads and speeches. ​ ​ Language: English, German, Polish ​ ​ Written For: Cantata Singers Boston David Hoose – music director ​ Commissioned By: Cantata Singers Boston David Hoose – music director ​ ​ Premiere Performance: 18 January 2008 Boston, USA The Cantata Singers (Boston) James Petosa, narrator Jason McDowell-Green, narrator Rockland Osgood, tenor David Kravitz, baritone Frederick Metzger, boy-soprano Karyl Ryczek, soprano Carola Emrich-Fischer, alto David Hoose, conductor HOLOCAUST-RELATED MUSIC Program Notes: The horrifying stories and testimonies from prisoners in the Nazi death camps became known only gradually, reported to the Allies by survivors, intelligence agencies, and local residents near the camps. It is hard to believe that the world, even as it was immersed in the problems of war, could not grasp the scale of the tragedy unfolding at the death camps, and when it did, it did not act decisively. ​ Could the Allies have done anything? It is true that the British people had to endure the Blitz and defend their country's existence, while the Americans, following the attack on Pearl Harbor, found themselves engaged on multiple fronts. When exhausted armies struggled to preserve their nations, when food was scarce and blood was spilled in every major European city—could anyone have had the means and resolve to halt the mass murder of six million Jews, half a million Gypsies, at least 250,000 mentally or physically disabled individuals, and over three million Soviet prisoners-of-war? ​ Did the Allies know what was happening in the camps? The answer is yes, but awareness came in stages. Initially, only a few intelligence reports mentioned the killings in Eastern Europe. Later, testimonies from fortunate escapees from the Nazi inferno arrived, yet these were often dismissed as exaggerated or delusional. There was also a phase of denial: although corroborating testimonies indicated that the publicly declared Nazi goal—extermination of all Jews—was being actively pursued, few comprehended the full extent of the figures, horrors, and inhumanity. This denial persisted even among Jewish communities in the United Kingdom, the United States, and the future state of Israel. ​ At the outset of the war, Allied armies were indeed unable to reach Eastern Europe. However, from August 1944 onwards, Allied aircraft frequently flew over the death camps, which continued to operate at full capacity. Despite thousands of bombs falling on Germany and hundreds of appeals flooding the war departments of the British and US armies, why was no order given to bomb the Auschwitz rail tracks and other camps, not to mention the gas chambers and crematoria? Such actions might have prevented thousands of deaths. Survivors' reports even mention their desperate hope to be bombed by Allied planes, seeing it as preferable to the certain death awaiting them in the gas chambers. Why was nothing done? ​ With these questions in mind, I began researching various archives, examining authentic letters, memos, telegrams, protocols, and other forms of Allied communication. Many of these documents had previously been classified as "secret" or "confidential." The findings were shocking. The slow wheels of bureaucracy, indifferent diplomats and decision-makers, officers in remote offices treating victims and refugees as mere statistics on a page, responding to matters of life and death with bureaucratic detachment—all contributed to inaction. In some cases, particularly within the British Colonial Office handling refugees, officers at all levels obstructed, delayed, and redirected refugees, thereby condemning many to death. While Allied high command often expressed sympathy for refugees in emotional statements, subordinate actions rarely reflected this compassion. ​ These bureaucratic documents, written in a robotic and self-serving manner, contrast starkly with another form of "efficiency"—the chilling bureaucratic correspondence of the Nazis: train schedules detailing origins, destinations, times, and numbers of "passengers." Upon return, these trains traveled empty, adhering strictly to schedule. For me, trains have always symbolized freedom—discovering new landscapes, movement, and optimism. Here, however, these trains represent horror, with eighty to one hundred people crammed into cattle cars without water or food, traveling for days or weeks, standing on the bodies of the deceased, headed towards an "unknown destination." ​ And yet, behind all this cold correspondence, the real suffering belongs to individuals. Through my research, I uncovered hundreds of testimonies—from those trapped in the trains to camp escapees, adults recounting childhood experiences, witnesses to Allied planes flying over Auschwitz, and even a woman who miraculously survived the gas chamber. I found heart-wrenching letters and farewell notes hidden in barracks' crevices by prisoners on their final days. This personal side to official inaction and vicious action stands in stark contrast to the dry, mechanical bureaucratic communications. ​ Thus, And the Trains Kept Coming… juxtaposes these heartbreaking documents with the cold, calculated ones, gradually revealing the tragedy. Structured as a series of unstaged scenes, the work changes rapidly, each contributing a new perspective to the broader narrative. Unlike an opera where each singer typically portrays one character, the vocal soloists, narrators, and choir embody multiple roles, often conflicting with each other. The distinction between good and bad blurs—a sentiment echoed by many survivors. The choir, for instance, serves as the voice of the people, akin to a Greek chorus, propelling the plot forward. The entire work unfolds in one movement, progressing chronologically through historical developments. While And the Trains Kept Coming… focuses on the Holocaust and its profound impact, it also reflects humanity's capacity to turn a blind eye to the suffering of others, a phenomenon that persists to this day—from genocide in Darfur to crises in the Middle East to homelessness alongside local drugstores. ​ I extend my gratitude and credit to the following individuals and institutions: - Evan Fallenberg – Hebrew to English translations, English text consultant - Carola Emrich – German translation - Blanka Bednarz – Polish consultant - Markus Goessl and Inge Huhn – assistance with German documents - Yad Vashem Archives, Jerusalem, Israel - Central Zionist Archives, Jerusalem, Israel - Joseph Wulf Bibliothek, Wannsee, Germany - The MacDowell Colony, Peterborough, NH, USA ​ And the Trains Kept Coming… was commissioned by the Cantata Singers, David Hoose, Music Director, in Boston, MA, 2007. It is the third work in the Cantata Singers' Slavery Documents series. ​ LISTEN VIEW SCORE LISTEN VIEW TEXT FULL INSTUMENTATON VIEW SCORE Available Holocaust-Related Sheet Music Contemporary Holocaust sheet music | Holocaust-themed compositions sheet music | Sheet music by living composers on Holocaust | Holocaust-inspired sheet music | Modern Holocaust music scores | Contemporary Jewish composers sheet music | Sheet music for Holocaust memorial compositions | Holocaust survivor compositions sheet music | Recent Holocaust oratorio scores | Contemporary Holocaust music sheets | Sheet music for composers influenced by Holocaust | Holocaust commemorative music scores | Post-Holocaust compositions sheet music | Holocaust remembrance contemporary sheet music | Sheet music for new Holocaust music And The Trains Kept Coming... (score) [PDF download] Price $28.00 Add to Cart And The Trains Kept Coming... (full score) [Hard Copy] Price $51.00 Add to Cart For information regarding rental materials, please click the link below and complete the form as thoroughly as possible. ​ The rental materials consist of a set of parts and a score, which will be sent to you in PDF format. Lior Navok is a self-published composer. why? Related Music ADDITIONAL HOLOCAUST-RELATED MUSIC ADDITIONAL CHORAL MUSIC Contemporary Holocaust composers | Holocaust-inspired compositions | Living composers Holocaust music | Holocaust themes in contemporary music | Modern responses to Holocaust | New Holocaust music | Contemporary Jewish composers | Holocaust survivor compositions | Recent Holocaust oratorio | Contemporary Holocaust memorial music | Holocaust music today | Composers influenced by Holocaust | Holocaust commemorative music | Post-Holocaust compositions | Holocaust remembrance contemporary music

  • Hebrew Art Songs | Contemporary Music

    HEBREW ART SONGS Hebrew art songs | Israeli art music | Hebrew vocal music | Jewish art songs | Hebrew classical music | Hebrew vocal repertoire | Israeli vocal compositions | Hebrew song cycle | Hebrew vocal tradition | Hebrew vocal repertoire | Israeli art song composers | Hebrew vocal performance | Hebrew lyricism in music | Hebrew vocal heritage | Jewish vocal compositions | Israeli classical vocal repertoire | Hebrew art song anthology | Hebrew vocal recital | Israeli vocal soloists | Hebrew vocal interpretation | Poems by Leah Goldberg THREE SONGS for soprano / mezzo-soprano and piano Duration: 10 minutes Instrumentation: soprano / mezzo-soprano and piano ​ Year Composed: 1995 Poems By: Leah Goldberg ​ Poems Included: 1. In the Evening 2. Song Without a Name 3. And Again. . . ​ Language: Hebrew ​​ ​ Premiere Performance: Spring 1996 Jerusalem, Israel Liat Alkan-Heymann, soprano Lior Navok, piano HEBREW ART SONGS Program Notes: Leah Goldberg, a cherished Israeli poet, holds a special place in my literary preferences. The three songs under discussion were not composed sequentially. Instead, they were gathered to form a brief song cycle that explores the introspective ruminations and desolations experienced by a solitary woman. Despite their individuality, the three songs exhibit a remarkable similarity in motives, descriptions, and vocabulary, with some words intriguingly possessing a dual significance. SCORE-VIDEO VIEW TEXT VIEW SCORE LISTEN Listen Learn more about poet Leah Goldberg >>> VIEW SCORE Score-Video Three Songs Score-Video Three Songs - Soprano / Mezzo-Soprano and Piano. Poems by Leah Goldberg Available Hebrew Art Songs Sheet Music Hebrew art songs sheet music | Israeli art music scores | Hebrew vocal music sheets | Jewish art songs printable scores | Hebrew classical music notation | Hebrew vocal repertoire sheet music | Israeli vocal compositions scores | Hebrew song cycle sheet music | Hebrew vocal tradition scores | Hebrew vocal repertoire sheets | Israeli art song composers music | Hebrew vocal performance scores | Hebrew lyricism in music sheets | Hebrew vocal heritage scores | Jewish vocal compositions sheet music | Israeli classical vocal repertoire scores | Hebrew art song anthology sheet music | Hebrew vocal recital scores | Israeli vocal soloists music | Hebrew vocal interpretation sheets Three Songs (Hebrew אבג characters) [PDF download] Price $12.50 Add to Cart Three Songs (Latin ABC Characters) [PDF download] Price $12.50 Add to Cart Three Songs [Hard Copy] Price $18.50 Add to Cart Lior Navok is a self-published composer. why? Related Music Music for Soprano / Mezzo-Soprano MUSIC FOR PIANO Soprano Quick View Meditations Over Shore [CD] Price $15.00 Quick View Three Songs (Latin ABC Characters) [PDF download] Price $12.50 Quick View Three Songs (Hebrew אבג characters) [PDF download] Price $12.50 Quick View Three Songs [Hard Copy] Price $18.50 Quick View The Sea of Sunset - (score) [PDF download] Price $16.50 Quick View The Sea of Sunset - (score) [PDF download] Price $16.50 Quick View The Sea of Sunset (performance score) [Hard Copy] Price $33.00 Quick View Spring Calls (set of parts) [PDF download] Price $22.50 Quick View Spring Calls (full score) [PDF download] Price $12.50 Quick View Spring Calls [Hard Copy] Price From $23.00 Quick View Found in a Train Station (full score + parts) [PDF download] Price $22.50 Quick View Found in a Train Station (full score) [PDF download] Price $12.50 Quick View Found in a Train Station [Hard Copy] Price From $24.00 Quick View Dialogues [PDF download] Price $14.00 Quick View Dialogues [Hard Copy] Price From $28.00 Quick View A’l Mishcavi Baleylot (Upon my bed by night) [PDF download] Price $6.00 Hebrew art songs by living composers | Israeli art music by contemporary composers | Hebrew vocal music from living composers | Jewish art songs by contemporary composers | Hebrew classical music by living composers | Hebrew vocal repertoire by modern composers | Israeli vocal compositions by living artists | Hebrew song cycle by contemporary composers | Hebrew vocal tradition by living composers | Hebrew vocal repertoire by present-day composers | Israeli art song composers' works | Hebrew vocal performance by living composers | Hebrew lyricism in music by contemporary composers | Hebrew vocal heritage by living composers | Jewish vocal compositions by present-day artists | Israeli classical vocal repertoire by living composers | Hebrew art song anthology by contemporary composers | Hebrew vocal recital by living composers | Israeli vocal soloists with compositions by living artists

  • Time Junctions | Solo Piano CD | Contemporary Music

    TIME JUNCTIONS Lior Navok, piano 2023

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