VIBRAPHONE, VIOLA AND PIANO; CHAMBER MUSIC WITH PERCUSSION FROZEN JUNCTIONS for vibraphone, viola and piano Duration: 13 minutes Instrumentation: for vibraphone, viola and piano, with optional sound track. ​ Year Composed: 2010 Written For: Sarah Bob and Aaron Trant ​ Premiere Performance: Boston, USA 26 January, 2012 Aaron Trant, vibraphone Mark Berger, viola Sarah Bob, piano VIEW SCORE LISTEN Program Notes: During the very hot Summer of 2009 I found myself composing “Frozen Junctions” in a shaded, air-conditioned apartment in Tel Aviv. The very distanced traffic excitement and honking sounds were the only reminiscent of the busy / steamy world outside the composer’s Igloo. Frozen Junctions , for for vibraphone, viola and piano is dedicated to Sarah Bob and Aaron Trant. View Score LISTEN Quick View Frozen Junctions (score and parts) [PDF download] Price $18.00 Add to Cart Quick View Frozen Junctions [Hard Copy] Price From $16.70 Add to Cart viola, vibraphone and piano; contemporary music | Percussion Chamber Music

ART SONGS IN HEBREW FOR SOPRANO / MEZZO-SOPRANO AND PIANO. POEMS BY LEAH GOLDBERG | HEBREW ART SONGS THREE SONGS for soprano / mezzo-soprano and piano Duration: 10 minutes Instrumentation: soprano / mezzo-soprano and piano ​ Year Composed: 1995 Poems By: Leah Goldberg ​ Poems Included: 1. In the Evening 2. Song Without a Name 3. And Again. . . ​ Language: Hebrew ​​ ​ Premiere Performance: Spring 1996 Jerusalem, Israel Liat Alkan-Heymann, soprano Lior Navok, piano SCORE-VIDEO HEBREW ART SONGS VIEW TEXT VIEW SCORE LISTEN Quick View Three Songs (Hebrew אבג characters) [PDF download] Price $12.50 Add to Cart Quick View Three Songs (Latin ABC Characters) [PDF download] Price $12.50 Add to Cart Quick View Three Songs [Hard Copy] Price $18.50 Add to Cart Program Notes: Leah Goldberg, a cherished Israeli poet, holds a special place in my literary preferences. The three songs in discussion were not composed sequentially. Instead, they were gathered to form a brief song cycle that explores the introspective ruminations and desolations experienced by a solitary woman. Despite their individuality, the three songs exhibit a remarkable similarity in motives, descriptions, and vocabulary, with some words intriguingly possessing a dual significance. ​ more about poet Leah Goldberg >>> VIEW SCORE Listen Score-Video Hebrew Art Song | Art Song in Hebrew | Israeli Art Song | Leah Goldberg | Israeli Lieder Leah Goldberg | art song | voice and piano

CONTEMPORARY STRING QUARTETS | CONTEMPORARY STRING QUARTET | STRING QUARTET COMPOSERS | ISRAELI STRING QUARTET | POLITICAL STRING QUARTETS HOPE CYCLES (string quartet no. 2) for string quartet Duration: 24 minutes Instrumentation: violins (2); viola and cello ​ Year Composed: 2004 Written For: Borromeo String Quartet ​ Commissioned By: Koussevitzky Music Foundation for the Borromeo String Quartet ​ Premiere Performance: Cape Cod Chamber Music Festival The Borromeo String Quartet: Nicholas Kitchenm violin Kristopher Tong, violin Mai Motobuchi, viola Yeesun Kim, cello CONTEMPORARY STRING QUARTETS contemporary string quartet CONTEMPORARY STRING QUARTET VIEW SCORE LISTEN SHOP NOW Program Notes: String Quartet no. 2 – “Hope Cycles” , in one movement, focus on the endless war between Palestinians and Israelis in the Middle East from the small person’s point of view. As an Israeli myself, I always find it hard to explain to European /American people where is the real tragedy, the one of the individual person – not the one behind the “selected” pictures one sees on the TV screen or see in any other media. The music describes the fear, hate, anger, love, remorse, the claustrophobic and uncertain feeling of being under daily attack (no matter in what side one is.) I believe that without the hope for a real peaceful solution and for a better life, things would have been much worse – the hope is what keeps people alive. Yet, between one hopeful chapter to another, the reality hits once more – more innocent victims die and more families are being destroyed, on a daily basis. Most of the stories of these individual victims never reach the international media, who ironically enough look only for “big numbers.” The viola represents such an individual who faces reality on its cruel side. Hoping, lamenting, loving, tendering, and accepting the sad reality… The quartet consists of connected sections that depict the brutal fate that occurs and the acceptance of fate as a natural part of life, the emotional whirlpools, the instability, the fighting, the lamenting emotion, the distanced and cold emotion, the hope, the disillusion, the farewell, and the recurring destiny, moving on to the next victim. ​ There are few short thematic fragments and motives which are repeated in different variations to create a stronger emotional feeling towards the end of the quartet. Some of these short motives include the half scale of the Arabic “Maqam Hijaz”, as well as short fragments from Jewish Music. Funny enough, both motives are aurally and historically closely related. Despite the highly charged subject, I chose to restrain the emotional level of expression. Therefore, except for a few short emotional bursts, the audience will perceive a somewhat cold, filtered expression, as if they are watching a show from behind a glass. ​ String Quartet no. 2 – “Hope Cycles” was written for Borromeo String Quartet, The Serge Koussevitzky Music Foundation in the Library of Congress and dedicated to the memory of Serge and Natalie Koussevitzky. Quick View Hope Cycles - String Quartet No. 2 (parts) [PDF download] Price $18.00 Add to Cart Quick View Hope Cycles - String Quartet No. 2 (score) [PDF download] Price $11.00 Add to Cart Quick View Hope Cycles - String Quartet No. 2 [Hard Copy] Price From $28.00 Add to Cart VIEW SCORE HOPE CYCLES string quartet no. 2 LISTEN piano four hands | piano four-hands repertoire | Silver-Garburg piano duo CONTEMPORARY STRING QUARTETS | CONTEMPORARY STRING QUARTET | STRING QUARTET COMPOSERS | ISRAELI STRING QUARTET | POLITICAL STRING QUARTETS

CONTEMPORARY MUSIC FOR FLUTE UNACCOMPANIED Chamber music VOCAL MUSIC WITH FLUTE STAGE MUSIC WITH FLUTE CONTEMPORARY MUSIC FOR FLUTE. FLUTE PIECES, CONTEMPORARY FLUTE MUSIC, CONTEMPORARY FLUTE REPERTOIRE, 20TH CENTURY MUSIC FOR FLUTE, FLUTE COMPOSERS Unaccompanied Flute Unaccompanied Flute Dunes 5' | flute solo Flute Chamber Music flute chamber music Capriccio 5' | flute and violin ​ Three Winged Movements 12' | flute and piano ​ Seven Haiku 12' | flute (or alto flute) and harp Veiled Echoes 15' | flute, viola and harp ​ Mysterious Pond 10' | flute, oboe and piano ​ Quartet for Flute, Clarinet Bassoon and Harp 27' | flute / piccolo, clarinet, bassoon and harp ​ Six Short Stories for Woodwind Quintet 12' | flute / piccolo, oboe, clarinet, horn, bassoon Chamber Ensemble with Flute chamber ensemble with flute Elegy to the Future for Pierrot ensemble 13' | ​piccolo / alto flute; clarinet; violin; cello; percussion; piano ​ Flashes of Decay for chamber ensemble 12' ​ | flute / piccolo; English horn; clarinet / bass clarinet; horn; tuba; percussion (2); harp; piano ​ Sextet for Pierrot ensemble 22' | flute / piccolo/bass flute, clarinet / bass clarinet, violin, cello, percussion and piano ​ Tetris for double wind quintet 18' | 2 flutes, 2 oboes, 2 clarinets, 2 horns, 2 bassoons ​ Three Episodes for Chamber Ensemble for chamber ensemble 12' | flute, oboe, clarinet, bassoon, percussion (1), piano, violin, viola, cello and double bass vocal musicwith flute Vocal Music with Flute ​Bestiarius (The Book of Monsters and Creatures) for alto/mezzo-soprano and ensemble 11' | alto / mezzo-soprano, flute / piccolo, clarinet, bassoon, violin, percussion (2), harpsichord Stage Flute with Flute stage music with flute The Adventures of Pinocchio for three actors and woodwind quintet / orchestra 61' | 3 actors (F,M,M), flute / piccolo, oboe / English horn, clarinet, horn, bassoon and piano OR: 3 actors (F,M,M), flute / piccolo, oboe / English-horn, clarinet, bassoon, horn, trumpet, trombone, percussion (1), harp, piano, strings ​ The Little Mermaid for actress and chamber ensemble / chamber orchestra 36' | actress, flute / piccolo, clarinet, percussion (1), two pianos and string quintet OR actress, flute / piccolo, clarinet, percussion (1), two pianos and string section Lior Navok’s compositions for flute cover a wide range of styles and ensemble configurations. ​ Unaccompanied Flute: Dunes (5’): A captivating flute solo that showcases Navok’s ability to create evocative soundscapes using extended techniques and expressive phrasing. Flute Chamber Music: Capriccio (5’): A lively dialogue between the flute and violin, characterized by rhythmic interplay and melodic motifs. Three Winged Movements (12’): A piece for flute and piano, exploring lyrical melodies and dynamic contrasts. Seven Haiku (12’): Written for flute (or alto flute) and harp, this composition draws inspiration from Japanese poetry, infusing delicate textures and introspective moments. Veiled Echoes (15’): A trio featuring flute, viola, and harp, where Navok weaves intricate harmonies and expressive lines. ​ Flute Chamber Ensemble: Mysterious Pond (10’): A unique blend of flute and oboe, accompanied by the piano, creating a serene and mysterious atmosphere. Quartet for Flute, Clarinet, Bassoon, and Harp (27’): A substantial work that explores the timbral possibilities of this unique ensemble. Six Short Stories for Woodwind Quintet (12’): A collection of miniatures for flute/piccolo, oboe, clarinet, horn, and bassoon, each telling its own musical tale. Chamber Ensemble with Flute: Elegy to the Future (13’): Written for the Pierrot ensemble (piccolo/alto flute, clarinet, violin, cello, percussion, piano), this piece combines haunting melodies with rhythmic complexity. Sextet (22’): A larger ensemble (flute/piccolo/bass flute, clarinet/bass clarinet, violin, cello, percussion, and piano) that explores intricate interplay and shifting moods. Tetris (18’): A dynamic composition for double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 horns, 2 bassoons), inspired by the classic video game. Vocal Music with Flute: Bestiarius (The Book of Monsters and Creatures) (11’): Featuring alto/mezzo-soprano, flute/piccolo, clarinet, bassoon, violin, percussion, and harpsichord, this piece combines vocal storytelling with instrumental colors. Stage Music with Flute: The Adventures of Pinocchio (61’): A theatrical work for three actors and woodwind quintet/orchestra. The flute interacts with other instruments, creating a whimsical and dramatic atmosphere. The Little Mermaid (36’): Written for actress, flute/piccolo, clarinet, percussion, two pianos, and string quintet or section, this piece accompanies the enchanting tale of the underwater world. ​ Lior Navok’s flute compositions offer a rich tapestry of sounds, from intimate solos to vibrant ensemble works, making them valuable additions to the contemporary flute repertoire. Quick View "Seven Haiku" - score and parts [PDF download] Price $14.00 Quick View "Dunes" - for Unaccompanied Flute [PDF download] Price $5.00 Quick View "Dunes" - for Unaccompanied Flute [Hard Copy] Price $9.00 Quick View Three Winged Movements (score and part) [PDF download) Price $16.00 Quick View Three Winged Movements [score + part Hard Copy] Price $25.50 Quick View Capriccio [PDF download) Price $8.00 Quick View Capriccio [Hard Copy] Price $18.00 Quick View Veiled Echoes (score and parts) [PDF download] Price $24.00 Quick View Veiled Echoes (score + 3 parts) [Hard Copy] Price $39.50 Quick View Mysterious Pond (score and parts) [PDF download) Price $18.00 Quick View Mysterious Pond (score + parts) [Hard Copy] Price $37.50 Quick View "Quartet for Flute, Clarinet, Bassoon and Harp" (Score) [PDF download] Price $11.00 Quick View "Quartet for Flute, Clarinet, Bassoon and Harp" (Set of Parts) [PDF download] Price $24.00 Quick View Six Short Stories for Woodwind Quintet (set of parts) [PDF download] Price $22.00 Quick View Six Short Stories for Woodwind Quintet (full score) [PDF download] Price $11.00 Quick View Six Short Stories for Woodwind Quintet [Hard Copy] Price From $20.00 Quick View "Sextet" (set of parts) [PDF] Price $32.00 Quick View "Sextet" (full score) [PDF download] Price $16.00 Quick View Sextet [Hard Copy] Price From $26.00 Quick View Elegy to the Future (set of parts) [PDF download] Price $28.00 Quick View Elegy to the Future (full score) [PDF download] Price $12.00 Quick View Elegy to the Future [Hard Copy] Price From $48.00 Quick View Spring Calls (set of parts) [PDF download] Price $22.50 Quick View Spring Calls (full score) [PDF download] Price $12.50 Load More Music for flute by contemporary music composers. New music for flute. unaccompanied flute, flute with piano, flute, viola and harp. various chamber music pieces for flute by contemporary music composer Lior Navok. flute music repertoire, flute pieces by contemporary composers, chamber music for flute and piano, flute and harp and so on. Israeli music for flute..

Piano four-hands repertoire | contemporary piano duos AT THE EDGE OF A SPIRAL for piano four-hands Duration: 10 minutes ​ Instrumentation: piano four-hands ​ Year Composed: 2004 Written For: The Silver-Garburg Piano Duo ​ Commissioned By: Miriam and Eliezer Benbassat ​ Premiere Performance: The Silver-Garburg Piano Duo contemporary piano four-hands repertoire PIANO FOUR-HANDS VIEW SCORE LISTEN Program Notes: At the Edge of a Spiral for one piano, four hands is a short journey of a built intensity. It is based on a few fragments, motives that are lit in different light each time. The piece starts slowly, but increases its intensity and speed as it progresses, utilizing the same motives. While composing the piece, I heard about a young man that threw himself into the river. I tried to imagine that went in his mind and what had brought to this dead-end. And again the idea of a built intensity, obsessive and uncompromising, came to my mind. At the very end of the piece, there is a sudden drop of intensity followed by a music box passage, as if describing what is going on in the person’s mind right after the jump, right after reaching the edge of his life’s spiral. At the Edge of a Spiral was written and dedicated for the Silver-Garburg Piano Duo–Sivan Silver and Gil Garburg. It was funded by the generous support of Miriam and Eliezer Benbassat. Quick View At the Edge of a Spiral (study score) [PDF download] Price $8.50 Add to Cart Quick View At the Edge of a Spiral (performance score) [PDF download] Price $13.50 Add to Cart Quick View At the Edge of a Spiral [Hard Copy] Price From $19.00 Add to Cart View Score Listen Piano four-hands repertoire | Piano Four-Hands | Piano four hands | music for piano 4 hands | contemporary piano duos

ART SONG IN HEBREW FOR ALTO AND PIANO. POEMS BY LEAH GOLDBERG COPENHAGEN SONGS for alto and piano Duration: 7 minutes Instrumentation: alto and piano ​ Year Composed: 2009 Poems By: Leah Goldberg ​ Poems Included: 1. Langelinie 2. On a High Bridge ​ Language: Hebrew Program Notes: The two songs presented here encapsulate Leah Goldberg’s experiences during her visit to Copenhagen in the 1960s. The poetry and music collectively paint a picture of the city’s somber ambiance during the fall and winter seasons, subtly interspersed with glimmers of hope. These songs are performed in Hebrew and are available in both Hebrew and Latin scripts. more about poet Leah Goldberg >>> Quick View Copenhagen Songs [PDF download] Price $6.00 Add to Cart Quick View Copenhagen Songs [Hard Copy] Price $15.00 Add to Cart

SYMPHONIC MUSIC, SYMPHONIC PRELUDE FIRST-FRUITS - A SYMPHONIC PRELUDE for symphony orchestra Duration: 12 minutes Instrumentation: 3 flutes (3rd doubles piccolo); 3 oboes (3rd doubles English horn); 3 clarinets (3rd doubles bass clarinet); 3 bassoons (3rd doubles contrabassoon); 4 horns; 3 trumpets, 3 trombones; tuba; harp; piano / celeste; timpani; percussion (3) and strings ​ Year Composed: 1997 ​ Premiere Performance: 8 December 1999 Boston, MA, USA New England Conservatory Symphony Orchestra Richard Hoenich, conductor VIEW SCORE LISTEN SHOP / HIRE MUSIC Quick View First-Fruits [Hard Copy] Price $42.00 Add to Cart Quick View First-Fruits [PDF download] Price $19.50 Add to Cart Program Notes: First-Fruits is my first composition for full orchestra, hence its name.The work focuses on the frequent transformation of orchestral textures as well as on constant alteration of colors. VIEW SCORE LISTEN symphonic prelude | symphonic music | orchestral music

THREE EPISODES FOR CHAMBER ENSEMBLE Three Episodes for Chamber Ensemble for chamber ensemble Duration: 12 minutes Instrumentation: Flute, oboe, clarinet, bassoon, percussion (1), piano, violin, viola, cello and double bass ​ Year Composed: 1997 Premiere Performance: 1997 Boston, MA, USA ​ In three movements

Hire Library CONTACT contacts and information ​ For Bio and program photos. Click Here ​ For p rogram notes, please check the Work Catalog . ​ For r ental information (works above 6 performers) ​ email Lior Navok ​ ​

SOLO PIECES FOR CLASSICAL GUITAR | CLASSICAL GUITAR REPERTOIRE REMEMBRANCES OF JERUSALEM for guitar solo Duration: 11 minutes Instrumentation: guitar solo Year Composed: 1995 Written For: William Riley ​ Premiere Performance: William Riley 7 November 1999 Boston, MA, USA SOLO PIECES FOR CLASSICAL GUITAR VIEW SCORE LISTEN Program Notes: While composing a chamber work that included the guitar, ideas for a solo piece started to appear. Soon, I found myself composing a prelude and set of variations, a process that was quiet challenging for me, as I do not play the guitar. The variations are not to be taken in the traditional sense of melodic development over a fixed form. Here, they are based on fragments, or motives from the prelude. VIEW SCORE LISTEN Quick View "Remembrances of Jerusalem" - for Classical Guitar [PDF download] Price $9.50 Add to Cart Quick View "Remembrances of Jerusalem" - for Classical Guitar [PDF download] Price $9.50 Add to Cart Quick View Remembrances of Jerusalem - for Classical Guitar [Hard Copy] Price $16.00 Add to Cart Quick View Meditations Over Shore [CD] Price $15.00 Add to Cart classical guitar repertoire | contemporary classical guitar music

CHAMBER OPERA AFTER A SHORT STORY BY CHEKHOV THE BET chamber opera in 14 scenes Duration: 90 minutes ​ Year Composed: 2012 ​ Story By: Anton Chekhov ​ Libretto By: Lior Navok ​ Language: English ​ Dramatis Personæ: Sergey Borisovitch Bogdanov: banker, age 55; basso cantate Valeri Andreyevich Smirnov: law student, age 25; lyric baritone Leonid Pronin: lawyer, age 50; tenor buffo Vladimir Uritzki: judge, approaching 60; bass-baritone Watchman: age 40; basso buffo ​ Orchestra: 1 flute / piccolo / alto flute; 1 oboe / English horn; 1 clarinet / bass clarinet; 1 bassoon / contra bassoon; 1 horn; 1 percussion; 1 harp; 1 piano; strings (6,5,4,3,2) HIRE MUSIC Abstract: Capitalism critique alla Chekhov Russia, November 1870. A greedy law student sneaks into a party of a ruthless banker just to find himself in the midst of a heated up argument: What is the better punishment – death sentence or life sentence? The banker challenges the student: money as reward for a self-imprisonment. One year? Two years? The deal is done: Fifteen years – ten million; easy money. Fifteen years: market changes; social changes; long time to reflect… Would the banker be the same conceited person? Would the student still be greedy? And what would be the consequences? The Bet | Chekhov | Anton Chekhov opera