TRIO FOR FLUTE, VIOLA AND HARP | FLUTE, VIOLA AND HARP REPERTOIRE VEILED ECHOES flute , viola and harp Duration: 15 minutes Instrumentation: flute, viola and harp ​ Year Composed: 2000 Written For: Lumina Ensemble ​ Premiere Performance: 9 April, 2001 Jerusalem, Israel Lumina Ensemble: Abigail Dolan, flute Amos Boasson, viola Gittit Boasson, harp ​ Movements: 1. Dolente, con Nostalgia 2. Sognando 3. Vivace Trio for Flute, Viola and Harp VIEW SCORE LISTEN SCORE-VIDEO Quick View Veiled Echoes (score and parts) [PDF download] Price $24.00 Add to Cart Quick View Veiled Echoes (score + 3 parts) [Hard Copy] Price $39.50 Add to Cart Program Notes: Veiled Echoes for flute, viola and harp was written during a one month stay at Aspen, Colorado . While being surrounded by wild nature at its best, writing a trio for flute, viola and harp seemed to me as the most natural thing – as unification between music and the mountains, the woods and the rivers. Because of these external influences, as well as the trio’s delicate instrumentation, Veiled Echoes is in most of the cases airy and with delicate texture. In many places, the rhythm of the piece tends to be flexible, just like a leaf carried by the wind. Veiled Echoes is consisted of three movements: the first brings nostalgia and remembrances. Number of musical motives which are introduced here will reappear and be developed in the following movements. This movement ends like a music-box that grows slower and slower. The second movement is the dreamiest of the three. It was written while trying to create a harmony with the rustle of the wind and the flow of the river. In this movement, I was not searching for musical continuity, but planted musical events one after the other while creating a static atmosphere. The third movement comes to demonstrate the energetic potential found in the trio’s instrumentation and to present the virtuosity of the players. In this movement, the listener would find motives fro the first movement alongside new motives. Veiled Echoes was written for Ensemble Lumina and is dedicated to them. Score-Video VIEW SCORE LISTEN VEILED ECHOES Flute, viola and harp | trio for flute viola and harp | trios for flute, viola and harp for flute, viola and harp

CONTEMPORARY MUSIC FOR HARP. HARP PIECES, CONTEMPORARY HARP MUSIC, CONTEMPORARY HARP REPERTOIRE, 20TH CENTURY MUSIC FOR HARP, HARP COMPOSERS Harp UNACCOMPANIED chamber music vocal music with harp CONTEMPORARY MUSIC FOR HARP contemporary harp repertoire UNACCOMPANIED HARP ​ East of the Cane Fields 8' | harp solo​ ​ CHAMBER MUSIC FOR HARP ​ Veiled Echoes 15' | flute, viola and harp ​ Quartet for Flute, Clarinet Bassoon and Harp 27' | flute (doubles piccolo), clarinet, bassoon and harp ​ Flashes of Decay 12' | flute / piccolo; English horn; clarinet / bass clarinet; horn; tuba; percussion (2); harp; piano ​ ​ VOCAL MUSIC WITH HARP ​ A’l Mishcavi Baleylot (Upon my bed by night) 5' | soprano and harp ​ Spring Calls for soprano and ensemble 10' 30" | leggiero soprano (also plays small percussion instruments),flute, viola, cello and harp SOLO chamber vocal Quick View "The Waiting Hours" - score [PDF download] Price $1.00 Quick View "Seven Haiku" - score and parts [PDF download] Price $14.00 Quick View "East of the Cane Fields" -for Harp Solo [PDF download] Price $7.00 Quick View "East of the Cane Fields" -for Harp Solo [Hard Copy] Price $12.50 Quick View A’l Mishcavi Baleylot (Upon my bed by night) [PDF download] Price $6.00 Quick View A’l Mishcavi Baleylot (Upon my bed by night) [Hard Copy] Price $13.50 Quick View Veiled Echoes (score and parts) [PDF download] Price $24.00 Quick View Veiled Echoes (score + 3 parts) [Hard Copy] Price $39.50 Quick View "Quartet for Flute, Clarinet, Bassoon and Harp" (Score) [PDF download] Price $11.00 Quick View "Quartet for Flute, Clarinet, Bassoon and Harp" (Set of Parts) [PDF download] Price $24.00 Quick View Spring Calls (set of parts) [PDF download] Price $22.50 Quick View Spring Calls (full score) [PDF download] Price $12.50 Quick View Spring Calls [Hard Copy] Price From $23.00 Music for harp by contemporary music composers. New music for harp. Unaccompanied harp,flute, viola and harp. Various chamber music pieces for harp by contemporary music composer Lior Navok. harp music repertoire, harp pieces by contemporary composers, chamber music for harp,

CONTEMPORARY MUSIC FOR HARPSICHORD. HARPSICHORD PIECES, CONTEMPORARY HARPSICHORD MUSIC, CONTEMPORARY HARPSICHORD REPERTOIRE, 20TH CENTURY MUSIC FOR HARPSICHORD, HARPSICHORD COMPOSERS H arpsichord CONTEMPORARY MUSIC FOR HARPSICHORD contemporary harpsichord repertoire chamber music with harpsichord Arabesque for alto recorder, baroque cello and harpsichord Duration: 9:30 minutes ​ Instrumentation: alto recorder, baroque cello and harpsichord ​ more >>> ​ vocal music with harpsichord Bestiarius (The Book of Monsters and Creatures) for alto/mezzo-soprano and ensemble Duration: 11 minutes ​ Instrumentation: alto / mezzo-soprano, flute + piccolo, clarinet, bassoon, violin, percussion (2), harpsichord more >>> ​ ​ ​ Music for harpsichord by contemporary music composers. New music for harpsichord.

DOUBLE WIND QUINTET, DOUBLE WIND QUINTET | DOUBLE WIND QUINTET REPERTOIRE TETRIS for double wind quintet (decet) Duration: 18 minutes Instrumentation: 2 flutes , 2 oboes , 2 clarinets , 2 horns , 2 bassoons ​ Year Composed: 2009 Written For: The Hindemith Quintet ​ Commissioned By: Hochschule für Musik, Mainz, with kind support from the Annie Eisler Lehmenn Stiftung ​ Premiere Performance: 6 September 2011 Mainz, Germany Hindemith-Quintet and students from the Hochschule für Musik ​ Movements: 1. Keep moving 2. Gutter People 3. Getting busy 4. Keeping busy ​ DOUBLE WIND QUINTET VIEW SCORE LISTEN VIDEO SCORE-VIDEO Program Notes: Tetris — for double wind quintet, was written during fall 2009 in New York City. The city, with its fast pace of life, neurotic flowing, continuous stream of people, traffic and information, serves as the inspiration for this piece. Watching from the side, the fast-moving people appeared to me like robots controlled by an above force, mechanically moving from one place to another, fighting against the clock, against the part of the brain that says – “Relax!” and against each other. Surviving amidst a jungle of brick walls and tall buildings. It seemed to me that people could not enjoy a full basic inhale exhale process. Good breathing consumes too much time. People were constantly looking for ways to juggle between many things at the same time. They seemed to me like Tetris players who try to match the bricks to a certain pattern, constantly in demand to increase speed. Though to the stranger this pace of life looks fascinating and exciting, I felt that deep inside things look a bit different, quite tragic. ​ The piece consists of four connected sections: Keep moving, Gutter People, Getting busy and Keeping busy. The first and fourth movements refer to the continuous, breathless pace of life. Restless people are the subject of the third movement, a short satire. The second movement is inspired by the thousands of people who spend all their lives in the cellar of a restaurant or shop after immigrating from far away, only to serve the ever-hurrying people above them. ​ Tetris was written for the Hindemith Woodwind Quintet. It was commissioned by the Hochschule für Musik, Mainz with kind support from the Annie Eisler Lehmenn Stiftung. LISTEN INFORMATION ABOUT PARTS VIEW SCORE VIDEO Score-Video NEC Wind Ensemble: "Tetris" by Lior Navok Play Video Lior Navok Tetris for two Woodwind Quintets Play Video NEC Wind Ensemble: "Tetris" by Lior Navok Play Video Lior Navok Tetris for two Woodwind Quintets Play Video Share Whole Channel This Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Share Channel Info Close Quick View Tetris [full score - PDF download] Price $15.50 Add to Cart Quick View Tetris [full score - Hard Copy] Price $26.50 Add to Cart Double wind quintet , music for wind decet, double wind quintet sheet music , kammerwerke double wind quintet, music for double wind quintet , double wind quintet music, double wind quintet repertoire, wind dectet music, wind dectet , decet

MUSIC FOR VIOLA AND PIANO | VIOLA AND PIANO REPERTOIRE DRIPPING MINUTES - FROZEN YEARS for viola and piano Duration: 8'30" minutes Instrumentation: viola and piano ​ Year Composed: 2017 Written For: Tabea Zimmermann Premiere Performance: 12 November 2021 Philharmonie im Kulturpalast Dresden, Germany ​ Matan Gilitchensky, viola Ohad Ben-Ari, piano ​ ​ ​ MUSIC FOR VIOLA AND PIANO viola and piano repertoire Quick View "Dripping Minutes - Frozen Years" (full score + part) [PDF download] Price $16.00 Add to Cart

PIERROT ENSEMBLE REPERTOIRE | MUSIC FOR PIERROT ENSEMBLE | PIECE FOR PIERROT ENSEMBLE SEXTET for Pierrot ensemble Duration: 22 minutes Instrumentation: flute/piccolo/bass flute; clarinet/bass clarinet; violin; cello; percussion and piano ​ Year Composed: 1998 ​ Premiere Performance: 16, February 1999 Boston, MA, USA Orlando Cela, flutes / piccolo Marissa Byers,clarinets Miguel Perez-Espejo, violin Ruti Machnai, cello Thomas Guldborg, percussion Eliko Akahori, piano Lior Navok, conductor ​ Movements: 1. Eastern Winds 2. The Old Castle at Dusk 3. Elegy 4. Drunken Ballerinas 5. Darkness 6. Independence PIERROT ENSEMBLE REPERTOIRE VIEW SCORE LISTEN Quick View "Sextet" (full score) [PDF download] Price $16.00 Add to Cart Quick View "Sextet" (set of parts) [PDF] Price $32.00 Add to Cart Quick View Sextet [Hard Copy] Price From $26.00 Add to Cart Program Notes: Sextet consists of six movements: In Eastern Winds I tried to bring some of the colors and sororities of the Middle East into the sextet medium. The Old Castle at Dusk is the longest movement of the piece, in which I tried to explore other timbres of this standard instrumentation. Two Gong beats connect this movement to the Elegy . As for the Drunken Ballerinas , my Image was of few dancers who dance while being influenced by alcohol. Darkness is an atmosphere movement, reflecting wondering. The last movement is the fight of the Triangle for its independence, while neither completely understood nor accepted by his colleagues. VIEW SCORE LISTEN music for pierrot ensemble

From the Log of a Longing Captain Lior Navok, piano 2023

CELLO ENSEMBLE MUSIC | MUSIC FOR CELLO ENSEMBLE AND AND PIANO; TOURELLES for cello ensemble and piano Duration: 12 minutes Instrumentation: for four cellos and piano. ​ Year Composed: 2019 VIEW SCORE CELLO ENSEMBLE MUSIC Quick View "Tourelles" - for Cello Ensemble and Piano (score and parts) [PDF download] Price $25.00 Add to Cart Quick View "Tourelles" - for Cello Ensemble and Piano [Hard Copy] Price From $18.00 Add to Cart Program Notes: Tourelles is a slow and meditative piece for four cello and piano. It resembles medieval texture with fresh harmonic suggestions. SCORE cello ensemble music | music for cello ensemble and piano

MIXED CHAMBER CHOIR, CHORAL MUSIC IN ENGLISH IT IS WINTER THAT WE DREAM OF SPRING for mixed chamber choir Duration: 4 minutes Instrumentation: mixed chamber choir ​ Year Composed: 1997 Poem by: Robert Burns Wilson ​ Language: English ​ Premiere Performance: 18 January, 2003 Gent, Belgium Novecanto Choir Katrijn Friant, conductor VIEW SCORE VIEW TEXT SHOP / HIRE MUSIC Quick View It is Winter that We Dream of Spring [PDF download] Price $7.00 Add to Cart Quick View It is Winter that We Dream of Spring [Hard Copy] Price $14.00 Add to Cart VIEW SCORE Chamber Chorus | chamber choir

GUITAR AND SOUNDTRACK, LADINO MUSIC THROUGH THE ALLEYS OF TIME for guitar and sound track Duration: 22 minutes Instrumentation: guitar and soundtrack Year Composed: 2007 Written For: Liat Cohen ​ Commissioned by: Legacy Heritage Fund, Morasha Fund through the America-Israel Cultural Foundation ​ Premiere Performance: 9 February 2008 Tel Aviv, Israel Liat Cohen VIEW SCORE LISTEN Quick View "Through the Alleys of Time" - for Guitar and Soundtrack (score) [PDF download] Price $18.00 Add to Cart Quick View "Through the Alleys of Time" - for Guitar and Soundtrack [Hard Copy] Price $38.00 Add to Cart Program Notes: Through the Alleys of Time – for classical guitar and tape focuses on the Ladino language, culture and way of life – left behind, as the older generation is passing away. My feeling for the disappearing tradition came mainly during a visit to Córdoba and Sevilla, where the alleys seemed to tell me the old story of the long-gone local communities. I could imagine a flourishing and vivid community, which after 1492 had to flee in every direction, bringing its language and tradition into new places such as Greece and Bulgaria. ​ The music tells the story of a troubadour – a folk singer, who passes from village to village, town to town in search of a certain song, while many fragments of other songs, prayers and chants appear before him. These include Jewish prayers, traditional Ladino – Judæo-Espagnol songs, talking, story-telling, as well as influences of the Christianity and Islam, since during the Golden Age in Andalucía all three religions have skilled to live peacefully and enriched each other. ​ All the recorded fragments are fully authentic, giving stage to old men and women who have been asked to sing songs as remembered from childhood. They are/were probably the last link in a long chain, since these songs, language and expressions were not transmitted fully (if at all) to the next generation. I am grateful for the work of Dr. Shoshana Weich-Shahak who, as a life-long project had traced singers and possible informants, made these recordings with such dedication and passion and most kindly, allowed me to use fragments of them. Thus, the work as a whole is a passage through time, where voices, sounds, images from the past appear before our troubadour, who does not end his wondering until discovering his long-waited song – La Serena. ​ In additional to the authentic recordings, one may find the sounds of soprano, oud, laud, recorders, viola da gamba, percussion and additional guitar, which were all recorded separately and went through a sound manipulation. This is in additional to field recordings that I have done in Spain. ​ I would like to thank and credit the following people: Monica Garcia-Albea, soprano Lara Morris, recorders Myrna Herzog, viola da gamba Guy Kark, oud and laud Liat Cohen, classical guitar Avi Agababa, percussion Sound Track Editing and Mixing: Dmitry Lifshitz, Yossi Ron Sound engineers: Eldad Berman (Tel Aviv), Marcus Fritzsch (Berlin), Pierre Fardel (Paris.) Dr. Shoshana Weich-Shahak for her kind support and assistance in locating the authentic recordings. The National Sound Archives (Jerusalem, Israel) Yad Ben-Zvi Library (Jerusalem, Israel) Sebastián de la Obra and Rosana de Aza – Casa De Sefarad (Córdoba) Through the Alleys of Time has been commissioned by the Legacy Heritage Fund, through the America-Israel Cultural Foundation, with dedication to Guitarist Liat Cohen. ​ Additional Information: Tape includes authentic recordings of singers, story-tellers, sounds from South Spain as well as recorded soprano, oud, lute, viola da gamba, recorders and percussion. VIEW SCORE LISTEN Ladino | guitar and ladino | Classical Guitar | music for solo classical guitar | new music | contemporary composer | guitar and soundtrack

MODERN MINIATURES FOR PIANO; SHORT PIECES FOR PIANO PERISCOPES miniatures for solo piano Duration: 30 minutes Instrumentation: piano solo Year Composed: 2009 Commissioned By: In memory of Adele and John Gray ​ Premiere Performance: 31 March 2012 London, United Kingdom Gila Goldstein, piano ​ Movements: 1. Voyage 2. Howdy! 3. The Maiden and her Soldier… 4. Suspicious Fluids 5. A Dusky Fall 6. The Wondrous Park Carousel 7. Towards the Unknown 8. Awakening 9. The Garden behind the Gate 10. Cotton Candy Man 11. Before Farewell 12. Night Ride MODERN MINIATURES FOR PIANO VIEW SCORE LISTEN Quick View "Periscopes" - for Solo Piano [PDF Download] Price $16.00 Add to Cart Quick View "Periscopes" - for Solo Piano [Hard Copy] Price $24.00 Add to Cart Program Notes: Somewhere in the middle of an imaginary ocean, a friendly submarine sends its periscope up to the surface in a mission of discovery. What awaits there above the water? What is to be seen? With “Periscopes” I have portrayed twelve different miniatures; each sending the listener into a different sonorous world. “Periscopes” was generously commissioned in memory of Adele and John Gray VIEW SCORE LISTEN contemporary piano music, miniatures for solo piano and new music for piano

CONTEMPORARY PIANO QUINTETS | PIANO QUINTET. | QUINTET FOR PIANO AND STRINGS QUARTET PIANO QUINTET for piano and string quartet Duration: 18 minutes Instrumentation: piano, violins (2), viola and cello ​ Year Composed: 2000 ​ Commissioned by: American Composers Forum, the Jerome Foundation ​ Premiere Performance: Sarah Bob, piano Francine Trester, violin Christina Day, vioin Annette Klein, viola Mickey Katz, cello ​ Movements:​ 1. poco rubato e tranquillo 2. scherzo 3. adagio tenero CONTEMPORARY PIANO QUINTETS VIEW SCORE LISTEN Program Notes: I have always looked at the Piano Quintet medium as the little cousin of the piano concerto. The string quartet, being a unified, homogeneous medium on its own right, surround the piano and give it a generous permission to act like a concerto soloist. Nonetheless, the beauty of this medium is found in its chamber-music qualities, where all members express themselves as individuals and therefore create delicate and intimate musical moments. While writing my Piano Quintet (2000), I tried to integrate all these elements. It consists of three movements which are closely related thematically. The first movement, marked poco rubato e tranquillo , introduces one of the quintet's main motives. Right after the introduction, the movement takes a sharp turn into a faster tempo and a passionate character. A fast and determined scherzo brings out the light and virtuosic side of the ensemble. The last movement, adagio tenero is the most extended of the three and acts like an echo of the previous movements. The Piano Quintet was underwritten by the American Composer Forum, with funds provided by the Jerome Foundation. VIEW SCORE LISTEN Quick View Piano Quintet (full score) [PDF download) Price $11.00 Add to Cart Quick View Piano Quintet (set of parts) [PDF download) Price $20.00 Add to Cart Quick View Piano Quintet [Hard Copy] Price From $41.00 Add to Cart Piano Quintet | Contemporary Piano Quintet | Music for Piano Quintet